Prow of a ship in a dry dock

Prow of a boat, with a carved figurehead, in a dry dock. The hull is supported with rough hewn timber props. The railing on the deck have the same pattern as PH38-1983. There is building (part of a gas works) in the distance behind the figurehead Most of the print is faded, especially the figurehead and a wide band on all edges of the image.

Purchased 1983

The prow and figurehead of the Demerara and its companion photographs of the stern and paddlebox are early examples of photojornalism. Built in Bristol, the Demerara was the second largest vessel in the world. In a nationally reported incident, she went aground on the River Avon on her way to have her engines fitted. Badly damaged, she was towed back into harbour and dry docked as this photograph shows.

The photographer, Calvert Jones, was one of the few Britons to produce a substancial body of calotypes in Britain and abroad. He had been practising photography since 1839 He learned of the process through a cousin of W.H.F. Talbot, who was neighbour in South Wales and a close friend from Oxford.

The figurehead of the Demerara was removed before Demerara was converted to a sailing ship, the British Empire. It was installed on the offices of an auctioneers at Quay Head, where it remained until the 1930s. When attempts were made to remove it before the building was demolished, it crumbled to pieces. The pineapple that the figure is holding survived and is in the collection of the Bristol Maritime Museum.
The building behind the figurehead is the gasholder from the Cannons Marsh gas works on the far side of the water.

This photograph of the prow and figurehead of the S S Demerara is an early example of photojournalism. The Demerara was the second largest vessel in the world. In a nationally reported incident, she went aground on her way to have her engines fitted. Badly damaged, she was towed back into harbour and dry docked.

The photographer, Calvert Jones, was introduced to photography by a cousin of William Henry Fox Talbot, the British inventor of photography. Jones' work stands out in the early development of photography because of hid ability to fuse his new skill in photography with his experience as a marine watercolorist.

PH.60-1983