William Henry Fox Talbot
Photograph
c. 1844 (photographed)
c. 1844 (photographed)
| Artist/Maker |
Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.
Object details
| Categories | |
| Object type | |
| Title | William Henry Fox Talbot (generic title) |
| Materials and techniques | Daguerreotype in a wooden case |
| Brief description | Photograph by Antoine Claudet, Portrait of William Henry Fox Talbot, daguerreotype, c. 1844. |
| Physical description | Daguerreotype of a portrait of William Henry Fox Talbot, kept in a leather-coated wooden case. The daguerreotype is in a mount with an oval window. The cover of the case has an embossed label: 'Adelaide Gallery Strand / Claudet's Daguerreotype Process'. |
| Dimensions |
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| Marks and inscriptions | ADELAIDE GALLERY STRAND
CLAUDET'S DAGUERREOTYPE PROCESS (Embossed label on front cover of case.) |
| Gallery label | Photography Centre, 2018-20:
Antoine Claudet (1797–1867)
Portraits: Andrew Pritchard; Mrs Andrew Pritchard; Michael Faraday; William Henry Fox Talbot; Young Man; Elderly Man; Young Man; Grandmother Houghton; Elderly Woman; George Houghton; Unknown Woman; John Flight; Young Woman, possibly from the Houghton Family
1840s–50s
Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect.
Daguerreotypes
Museum nos. 57, 1422-1939; RPS.373, 374, 377, 378, 387, 388, 389, 426, 492, 495 & 532-2017
The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the Heritage Lottery Fund and Art Fund |
| Credit line | The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund. |
| Subject depicted | |
| Summary | Claudet was a student of Daguerre, and was among the first to open a photographic portrait studio in London. Though praised for their sharp and minute detail, daguerreotypes were criticised by many for making sitters appear ashen and deathly due to their grey tones. To combat this, some portraits were coloured by hand for a more life-like effect. |
| Associated object | PROV.2524-2017 (RPS Group record) |
| Other numbers |
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| Collection | |
| Accession number | RPS.374-2017 |
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| Record created | May 23, 2017 |
| Record URL |
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