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Painting

ca. 1615 (made), ca. 1630 (made)
Artist/Maker
Place of origin

This painting depicts the emperor Shah Jahan (r. 1628-1658) riding on a pale grey horse through a landscape accompanied by his son, Dara Shokuh. Various retainers accompany them on foot. An attribution to the artist Manohar is written in black ink beneath the painting. Manohar was one of the leading artists of Jahangir's reign, and there seems little doubt that the painting is by him and that the original subject was Jahangir, riding with his son Khurram, the future Shah Jahan. Their faces have been replaced by the features of Shah Jahan and his own son, Dara Shokuh, with minuscule inscriptions next to each identifying the portraitist as Murar. Murar's known work falls during the reign of Shah Jahan after his accession in 1628.
The folio which has fine calligraphy on the other side belonged to an album of Shah Jahan that was dismembered at an unknown date, and was consigned with other folios for sale at Sotheby's, London, in 1925. The lot was described as the property of "a Nobleman", who was said at the time to be Lord Minto.

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read The arts of the Mughal Empire The great age of Mughal art lasted from about 1580 to 1650 and spanned the reigns of three emperors: Akbar, Jahangir and Shah Jahan. Hindu and Muslim artists and craftsmen from the northern regions of the Indian subcontinent worked with Iranian masters in the masculine environment of the r...

Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting of Shah Jahan with his son and a servant, opaque watercolour and gold on paper, faces of Shah Jahan and his son are replacements for the original portaits which were presumably of Jahangir and Shah Jahan as a prince. The overall painting is by Manohar, c. 1610-15, with replacement portraits signed by Murar, and probably done in about 1630.
Physical description
Painting, in opaque watercolour and gold on paper, depicting Prince Khurram (later emperor Shah Jahan) riding with one of his sons and retainers. The emperor sits on a pale grey horse riding through a landscape accompanied by his son behind him, also on a horse, and various retainers on foot. The painting has been mounted on an album with floral borders, and has a pale pink border with gold scrolling decoration with the attribution to the artist Manohar in black ink at the bottom. The painting has Manohar's distinctive colour palette, and is in the style of the reign of Jahangir, of whom this must originally have been a portrait. However, the faces of Jahangir and prince have been replaced with those of Shah Jahan and, presumably, his son Dara Shokuh, as shown by minute inscriptions above the brown horse's head and beneath Dara Shokuh's left hand, both naming Murar as the portrait artist.
Dimensions
  • Painting without any borders height: 23.6cm
  • Painting without any borders width: 16.8cm
  • Page height: 38.8cm
  • Page width: 26.6cm
Content description
Shah Jahan riding with one of his sons and retainers. The emperor sits on a pale grey horse riding through a landscape accompanied by his son behind him, also on a horse, and various retainers on foot.
Style
Marks and inscriptions
(written on inner pink frame)
Translation
'work of Manohar'
Transliteration
'amal-e Manohar'
Gallery label
SHAH JAHAN AND DARA SHOKUH Opaque water colour and gold on paper Mughal, by Manohar and Murar ca. 1615, with faces changed c. 1630 IM.12-1925 The original version of this painting depicted the emperor Jahangir riding, followed by a prince who was presumably the young Shah Jahan. It is attributed in the lower margin to Manohar. For unknown reasons, the faces of both were subsequently changed to those of Shah Jahan and his son, Dara Shokuh. Both these later portraits are signed in minute lettering by Murar, an artist active in Shah Jahan’s reign. (2008)
Object history
The folio was part of a group consigned to auction at Sotheby's, London, in 1925, by "A Nobleman" who was known at the time to be Lord Minto.
Production
Composition and figures ca. 1615 with faces of Shah Jahan and his son added in Shah Jahan's reign, when the borders were also added.
Subjects depicted
Summary
This painting depicts the emperor Shah Jahan (r. 1628-1658) riding on a pale grey horse through a landscape accompanied by his son, Dara Shokuh. Various retainers accompany them on foot. An attribution to the artist Manohar is written in black ink beneath the painting. Manohar was one of the leading artists of Jahangir's reign, and there seems little doubt that the painting is by him and that the original subject was Jahangir, riding with his son Khurram, the future Shah Jahan. Their faces have been replaced by the features of Shah Jahan and his own son, Dara Shokuh, with minuscule inscriptions next to each identifying the portraitist as Murar. Murar's known work falls during the reign of Shah Jahan after his accession in 1628.
The folio which has fine calligraphy on the other side belonged to an album of Shah Jahan that was dismembered at an unknown date, and was consigned with other folios for sale at Sotheby's, London, in 1925. The lot was described as the property of "a Nobleman", who was said at the time to be Lord Minto.
Associated object
IM.12A-1925 (Verso)
Bibliographic references
  • Hats from India / Rosemary Crill. [London]: Victoria and Albert Museum, 1985 Number: 0948107308 p. 9 John Seyller in Sheila Canby, ed. Humayun's Garden Party. Princes of the House of Timur and Early Mughal Painting, Marg Publications, Bombay, 1994, figs 27 and 28, p. 78. Susan Stronge, Painting for the Mughal Emperor. The art of the book 1560-1660, V&A Publications, 2002, pl. 95, p. 130
  • Stronge, S. "The Arts of the Sikh Kingdoms", V&A, 1999 Cat. No 28, p. 212
Collection
Accession number
IM.12-1925

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Record createdSeptember 18, 2007
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