Not currently on display at the V&A

Print

c.1950 (drawn)
Artist/Maker
Place of origin

This lithograph by Albert Houthuesen, drawn at the 1969 season at London's Cambridge Theatre, represents the clown Bip, the character invented by the French mime artist Marcel Marceau (born 1923). With his battered opera hat decorated with a single, long-stemmed flower, and his striped pullover, the silent Bip became identified with Marceau in the same way that Charlie Chaplin's downtrodden little man became indelibly associated with Chaplin. Indeed, seeing Chaplin's act inspired Marceau's career.

Albert Houthuesen (1903-1979) was born in Amsterdam but came to London with his mother in 1912 after the death of his father. After attending the Royal College of Art, he became a teacher and subsequently a full-time artist. His work covered a wide range of subjects and mediums but he always loved the theatre, dance and clowns. He was so enthusiastic about Marceau's work that he bought all the front row stalls seats one night during the run and invited his friends, on the condition that each guest bring a flower or posy which were to be thrown on stage for Marceau at the curtain-call.


Object details

Categories
Object type
Materials and techniques
lithograph and watercolour on paper
Brief description
Marcel Marceau (1923-2007) as Bip. Lithograph, coloured by hand, by Albert Houthuesen (1903-1979). Given by Catherine Houthuesen.
Physical description
Head and shoulders portrait of the mime artist Marcel Marceau as Bip in his characteristic stove-pipe hat decorated with a long-stemmed flower. Lithograph hand-painted with a light blue wash with darker blue gouache background.
Dimensions
  • Height: 47.9cm
  • Width: 35.9cm
Marks and inscriptions
Signed in the stone 'Houthuesen'
Credit line
Given by Mrs Catherine Houthuesen
Subject depicted
Summary
This lithograph by Albert Houthuesen, drawn at the 1969 season at London's Cambridge Theatre, represents the clown Bip, the character invented by the French mime artist Marcel Marceau (born 1923). With his battered opera hat decorated with a single, long-stemmed flower, and his striped pullover, the silent Bip became identified with Marceau in the same way that Charlie Chaplin's downtrodden little man became indelibly associated with Chaplin. Indeed, seeing Chaplin's act inspired Marceau's career.

Albert Houthuesen (1903-1979) was born in Amsterdam but came to London with his mother in 1912 after the death of his father. After attending the Royal College of Art, he became a teacher and subsequently a full-time artist. His work covered a wide range of subjects and mediums but he always loved the theatre, dance and clowns. He was so enthusiastic about Marceau's work that he bought all the front row stalls seats one night during the run and invited his friends, on the condition that each guest bring a flower or posy which were to be thrown on stage for Marceau at the curtain-call.
Associated objects
Bibliographic reference
John Rothenstein ‘British Art Since 1900’, 1962. John Rothenstein ‘Albert Houthuesen: An Appreciation’ 1969. John Rothenstein ‘Modern English Painters’ vol 111, 1974. Richard Nathanson ‘Walk To The Moon – The Story of Albert Houthuesen’ 1990. David Buckman ‘Artists In Britain Since 1945’, 2006
Collection
Accession number
S.416-1980

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Record createdAugust 29, 2007
Record URL
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