Colophon page for the edition of 20 prints entitled 'Trust Me'
Print
1992-1993 (printed)
1992-1993 (printed)
| Artist/Maker | |
| Place of origin |
The prints in this portfolio take their inspiration from 1950s illustrations of science magic tricks in comic-book, somewhat diagrammatic, style. The artist has taken these and combined them with a kind of 'stream of consciousness' or 'automatic' drawing (where the artist does not really think about what they are doing in a conscious way). In a statement about the set of prints the artist notes that the juxtaposition of title and image, and of illustration (taken from the science magic book source) and hand painted gesture "imply cause and effect, triggering a psychological drama within". Some of the images seem very feminist, in that they show female figures in controlling positions within the overall narrative of the image. The suite shows how an artist can combine a found or ready-made source with their own work to produce images with a certain psychological complexity.
Object details
| Categories | |
| Object type | |
| Title | Colophon page for the edition of 20 prints entitled 'Trust Me' (assigned by artist) |
| Materials and techniques | Intaglio |
| Brief description | Elizabeth Marran: Colophon page from the suite of prints entitled 'Trust Me' 1992 |
| Physical description | Sheet lettered with details of production, including name of printer, paper type, process etc. |
| Dimensions |
|
| Production type | Limited edition |
| Copy number | not numbered. Artist's proof. |
| Marks and inscriptions | The portfolio Trust Me by/ Elizabeth Marran contains 20/ etchings on Rives BFK 270/ paper measuring 13" x13" in / photo etch and aquitant [sic]
The edition consists of 20/ copies of each print signed/ and numbered and 3 artists/ proofs.The etchings were/ printed by Elizabeth Marran/ and Michael Hairston at the/ University of Massachusetts,/Boston, 1992-93. The box/ was made by Lizzie de Rham/ of Cambridge, Massachusetts. |
| Credit line | Given by the artist |
| Production | Attribution note: this suite is un-numbered but the edition is 20 with three artist's proofs. |
| Summary | The prints in this portfolio take their inspiration from 1950s illustrations of science magic tricks in comic-book, somewhat diagrammatic, style. The artist has taken these and combined them with a kind of 'stream of consciousness' or 'automatic' drawing (where the artist does not really think about what they are doing in a conscious way). In a statement about the set of prints the artist notes that the juxtaposition of title and image, and of illustration (taken from the science magic book source) and hand painted gesture "imply cause and effect, triggering a psychological drama within". Some of the images seem very feminist, in that they show female figures in controlling positions within the overall narrative of the image. The suite shows how an artist can combine a found or ready-made source with their own work to produce images with a certain psychological complexity. |
| Associated objects | |
| Collection | |
| Accession number | E.341:2-2007 |
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| Record created | August 24, 2007 |
| Record URL |
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