Not currently on display at the V&A

Vase

1905-1910 (made)
Artist/Maker
Place of origin

Josef Hoffmann studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffmann's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'.


Object details

Categories
Object type
Materials and techniques
Electroplated silver on brass with glass lineruare
Brief description
Electroplated silver on brass with glass liner, Vienna, 1905-10, made by the Wiener Werkstatte, designed by Josef Hoffmann
Physical description
The base of the vase is a square piece of sheet metal supported on four ball feet at each corner. Each side is composed of square latticework and is identical to each of the others. The glass liner fits tightly inside the vase and rises 12 mm above the silver sides.
Dimensions
  • Height: 8.3cm
  • Width: 4.4cm
  • Length: 4.4cm
Summary
Josef Hoffmann studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffmann's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'.
Bibliographic reference
Moderne Vergangenheit, p. 323, cat. no. 270.
Collection
Accession number
M.21-1982

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 23, 2007
Record URL
Download as: JSON