Le Pustra, 'Vaudeville's Darkest Muse', backstage at Apartment 58, a performance venue in London, UK, 2013.
Photograph
2016 (printed)
2016 (printed)
Artist/Maker | |
Place of origin |
The South African-born performance artist, actor, singer and musical-saw player Le Pustra (b.1977), also known as 'Vaudeville's Darkest Muse', performs internationally in cabaret and burlesque. Known for his white-painted face which he credits as giving him confidence, his character is loosely based on the Commedia dell'arte Pierrot. He is seen here in 2013 at Apartment 58, a London club venue on New Oxford Street.
This is one of a series of offstage photographs documenting the international scene of male performers taken by the Danish photographer Magnus Arrevad (b.1981) who is based in Berlin and London. Shot over a five-year period in cities ranging from New York to London, Copenhagen, Berlin and Paris, they feature the personal transformations of cabaret performers, drag queens, strippers and go-go dancers, capturing them bringing, as Magnus Arrevad has said: 'the dream of oneself into being'. Using a Mamiya 7 camera instead of a digital camera, gave Magnus: 'a sense of occasion to every shot, made each click of the shutter an event.' Many of the resulting photographs, that formed part of the 2015 exhibition and book Boy Story: A Picture Book for Boys,are imbued with the haunting sense of melancholy that the performers experience in the creation and exhibition of their 'other selves'. Arrevad shows how donning the makeup and costume was for the performers part of the process of removing a mask, not putting it on, and has said that working with them changed him from: 'a sheltered Danish photographer into a fully-immersed participant in the world of "Boylesque"'.
This is one of a series of offstage photographs documenting the international scene of male performers taken by the Danish photographer Magnus Arrevad (b.1981) who is based in Berlin and London. Shot over a five-year period in cities ranging from New York to London, Copenhagen, Berlin and Paris, they feature the personal transformations of cabaret performers, drag queens, strippers and go-go dancers, capturing them bringing, as Magnus Arrevad has said: 'the dream of oneself into being'. Using a Mamiya 7 camera instead of a digital camera, gave Magnus: 'a sense of occasion to every shot, made each click of the shutter an event.' Many of the resulting photographs, that formed part of the 2015 exhibition and book Boy Story: A Picture Book for Boys,are imbued with the haunting sense of melancholy that the performers experience in the creation and exhibition of their 'other selves'. Arrevad shows how donning the makeup and costume was for the performers part of the process of removing a mask, not putting it on, and has said that working with them changed him from: 'a sheltered Danish photographer into a fully-immersed participant in the world of "Boylesque"'.
Object details
Categories | |
Object type | |
Title | Le Pustra, 'Vaudeville's Darkest Muse', backstage at Apartment 58, a performance venue in London, UK, 2013. (assigned by artist) |
Materials and techniques | Silver gelatin print on archival fibre paper |
Brief description | Le Pustra, 'Vaudeville's Darkest Muse', backstage in the vault below Apartment 58, a performance venue in London, UK, 2013. Silver gelatin print on archival fibre paper by Magnus Arrevad. |
Physical description | Black and white photograph of La Pustra walking in a vault below the performance space Apartment 58, made up and partly dressed as a Pierrot |
Dimensions |
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Marks and inscriptions | Magnus Arrevad 5/12 |
Credit line | Given by Adam Donen |
Summary | The South African-born performance artist, actor, singer and musical-saw player Le Pustra (b.1977), also known as 'Vaudeville's Darkest Muse', performs internationally in cabaret and burlesque. Known for his white-painted face which he credits as giving him confidence, his character is loosely based on the Commedia dell'arte Pierrot. He is seen here in 2013 at Apartment 58, a London club venue on New Oxford Street. This is one of a series of offstage photographs documenting the international scene of male performers taken by the Danish photographer Magnus Arrevad (b.1981) who is based in Berlin and London. Shot over a five-year period in cities ranging from New York to London, Copenhagen, Berlin and Paris, they feature the personal transformations of cabaret performers, drag queens, strippers and go-go dancers, capturing them bringing, as Magnus Arrevad has said: 'the dream of oneself into being'. Using a Mamiya 7 camera instead of a digital camera, gave Magnus: 'a sense of occasion to every shot, made each click of the shutter an event.' Many of the resulting photographs, that formed part of the 2015 exhibition and book Boy Story: A Picture Book for Boys,are imbued with the haunting sense of melancholy that the performers experience in the creation and exhibition of their 'other selves'. Arrevad shows how donning the makeup and costume was for the performers part of the process of removing a mask, not putting it on, and has said that working with them changed him from: 'a sheltered Danish photographer into a fully-immersed participant in the world of "Boylesque"'. |
Bibliographic reference | page 31
Reproduced in Boy Story: a Picture Book for Boys by Magnus Arrevad, 2015, with the text: 'Fumbling through a world where everything is normal, but constantly being transformed, Le Pustra entered a bank vault as Pierrot......' |
Collection | |
Accession number | S.467-2017 |
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Record created | February 27, 2017 |
Record URL |
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