October Morning
Print
late 20th century (printed)
late 20th century (printed)
| Artist/Maker | |
| Place of origin |
Dorothea Wight (born 1944) established Studio Prints, London, in 1968 as an editioning workshop and has since worked with Frank Auerbach, Stephen Conroy, Lucian Freud and Celia Paul, alongside Marc Balakjian who joined her at Studio Prints in the 1970s.
Wight studied at Dartington School of Art, and did a postgraduate degree at the Slade School in London. She has specialised in colour mezzotints and her work has been exhibited internationally in many biennales and triennales. An example of her work was used by print curator and historian Pat Gilmour in her book ‘Understanding Contemporary Prints’ to illustrate the mezzotint process.
This is one of four examples by Wight in the V&A collection; each is a colour mezzotint and each takes the form of a view of a landscape through a window, but her real subject is light and the way it changes with the seasons, the time of day, and the framing of the view (by curtains, blind, window frames etc).
Wight studied at Dartington School of Art, and did a postgraduate degree at the Slade School in London. She has specialised in colour mezzotints and her work has been exhibited internationally in many biennales and triennales. An example of her work was used by print curator and historian Pat Gilmour in her book ‘Understanding Contemporary Prints’ to illustrate the mezzotint process.
This is one of four examples by Wight in the V&A collection; each is a colour mezzotint and each takes the form of a view of a landscape through a window, but her real subject is light and the way it changes with the seasons, the time of day, and the framing of the view (by curtains, blind, window frames etc).
Object details
| Category | |
| Object type | |
| Title | October Morning (assigned by artist) |
| Materials and techniques | Colour mezzotint |
| Brief description | Print, 'October Morning', deep window frame with blind a third down and view of green hills, colour mezzotint by Dorothea Wight, London, late 20th century |
| Physical description | An image of a deep window frame with a blind pulled a third of the way down, with a view out onto green hills and yellow-white sky. |
| Dimensions |
|
| Copy number | 85/100 |
| Marks and inscriptions | '85/100 October Morning Dorothea Wight' (Edition number, title and signature; in pencil) |
| Credit line | Given by the artist |
| Subjects depicted | |
| Summary | Dorothea Wight (born 1944) established Studio Prints, London, in 1968 as an editioning workshop and has since worked with Frank Auerbach, Stephen Conroy, Lucian Freud and Celia Paul, alongside Marc Balakjian who joined her at Studio Prints in the 1970s. Wight studied at Dartington School of Art, and did a postgraduate degree at the Slade School in London. She has specialised in colour mezzotints and her work has been exhibited internationally in many biennales and triennales. An example of her work was used by print curator and historian Pat Gilmour in her book ‘Understanding Contemporary Prints’ to illustrate the mezzotint process. This is one of four examples by Wight in the V&A collection; each is a colour mezzotint and each takes the form of a view of a landscape through a window, but her real subject is light and the way it changes with the seasons, the time of day, and the framing of the view (by curtains, blind, window frames etc). |
| Collection | |
| Accession number | E.3031-2007 |
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| Record created | August 15, 2007 |
| Record URL |
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