Encre L. Marquet
Poster
1892 (made)
1892 (made)
Artist/Maker | |
Place of origin |
This poster belongs to a large collection assembled during the nineteenth century by Joseph Thatcher Clarke, whose wife, Agnes, gave the collection to the Victoria and Albert Museum in 1921. Clarke was one of the first poster collectors and organised several exhibitions of these works at The Royal Aquarium in London. In the introduction to one of the exhibition's catalogues, Clarke showed great foresight when he proposed that the medium would hold enduring appeal and significance:
"The finest posters are, indeed, not only exemplars of artistic originality, beauty, and excellence in technique, but actual records of the daily life and interests of the age. From these documents the future historian may derive the fullest information concerning our food (physical and intellectual), our clothing, our diseases, and our remedies therefor - in short, concerning our vocations, our amusements, and our morals. What would not the archaeologist be willing to give for a set of such documents, relating, let us say, to Pericleian Athens or to Augustan Rome?"
"The finest posters are, indeed, not only exemplars of artistic originality, beauty, and excellence in technique, but actual records of the daily life and interests of the age. From these documents the future historian may derive the fullest information concerning our food (physical and intellectual), our clothing, our diseases, and our remedies therefor - in short, concerning our vocations, our amusements, and our morals. What would not the archaeologist be willing to give for a set of such documents, relating, let us say, to Pericleian Athens or to Augustan Rome?"
Object details
Categories | |
Object type | |
Title | Encre L. Marquet (assigned by artist) |
Materials and techniques | colour lithograph on paper |
Brief description | Poster for 'Encre L. Marquet' by Eugène-Samuel Grasset; French, 1892. |
Physical description | A young woman (one of the muses?) wearing a laurel wreath leans on a harp, pausing while writing to rest her chin on her hand, a quill in one hand and sheets of paper in the other. An ink well and several quills rest on a stone wall beside her. A waxing or waning crescent moon appears in the sky behind her. |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Mrs J.T. Clarke |
Subjects depicted | |
Summary | This poster belongs to a large collection assembled during the nineteenth century by Joseph Thatcher Clarke, whose wife, Agnes, gave the collection to the Victoria and Albert Museum in 1921. Clarke was one of the first poster collectors and organised several exhibitions of these works at The Royal Aquarium in London. In the introduction to one of the exhibition's catalogues, Clarke showed great foresight when he proposed that the medium would hold enduring appeal and significance: "The finest posters are, indeed, not only exemplars of artistic originality, beauty, and excellence in technique, but actual records of the daily life and interests of the age. From these documents the future historian may derive the fullest information concerning our food (physical and intellectual), our clothing, our diseases, and our remedies therefor - in short, concerning our vocations, our amusements, and our morals. What would not the archaeologist be willing to give for a set of such documents, relating, let us say, to Pericleian Athens or to Augustan Rome?" |
Bibliographic reference | Coutts, Howard and Claire Jones Toulouse Lautrec and the art of the French Poster. Bowes Museum, 2004. 53 p., ill. ISBN 0954818202. |
Collection | |
Accession number | E.193-1921 |
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Record created | August 8, 2007 |
Record URL |
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