Not currently on display at the V&A

Saint Paul

Fresco
1850-75 (drawn)
Artist/Maker
Place of origin

Spirit fresco on stucco depicting St. Paul.


Object details

Categories
Object type
TitleSaint Paul (generic title)
Materials and techniques
Tempera and gilt on plaster
Brief description
Spirit fresco on stucco by Thomas Gambier Parry depicting St. Paul. Great Britain, second quarter 19th century.
Physical description
Spirit fresco on stucco depicting St. Paul.
Dimensions
  • Height: 112cm
  • Width: 46.2cm
Object history
The Gambier Parry process is a development of the classical technique of fresco for painting murals, named for Thomas Gambier Parry.

True fresco is the technique of painting on fresh lime plaster whereby the pigments are fixed by the carbonation of the lime (calcium hydroxide). The technique requires no other binding medium and the fixing process produces a durable crystalline paint layer. However, only a limited range of pigments are suitable for true frescoes and the technique requires careful application under controlled conditions. In some environments, conventional fresco colours can rapidly accumulate dirt and grime. The decoration of the new Houses of Parliament in the mid-nineteenth century saw an embarrassing failure of true fresco in England but had generated a revival in mural painting.

Gambier Parry developed a spirit medium for use on a specially prepared plaster or canvas ground and in 1862 he published his recipe. Originally it used beeswax, oil of spike lavender, spirits of turpentine, elemi resin and copal varnish, and was complex both in preparing the wall surface and applying the paint. With commercialisation, the process was simplified and became widely known.

The system was used by Frederic Leighton for "The Arts of Industry as Applied to War" at the Victoria & Albert Museum (1870-72) and by Ford Madox Brown on the Manchester Murals in Manchester Town Hall (1879-93).
Subject depicted
Bibliographic reference
Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1937, London: Board of Education, 1938.
Collection
Accession number
P.38-1937

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Record createdJuly 24, 2007
Record URL
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