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The Presentation in the Temple thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

The Presentation in the Temple

Panel
late 11th century (made)
Artist/Maker
Place of origin

This ivory panel was carved in southern Italy in Amalfi or Salerno in the late 11th century. It is closely related in style to the so-called ‘Salerno Ivories’, a large group of plaques made for an item of church furniture in Salerno Cathedral, probably at the time of the church’s consecration in 1084. The ivories show close links with Byzantine works of art, which were imported to this area in the second half of the 11th century.


Object details

Categories
Object type
TitleThe Presentation in the Temple (generic title)
Materials and techniques
Carved ivory
Brief description
Panel, ivory, Presentation in Temple, South Italy, Amalfi or Salerno, late 11th century
Physical description
Ivory panel depicting the Presentation in the Temple in low relief. Mary passes Christ to a temple elder over a low altar.
On the left, St Joseph, holding two doves, stands behind the Virgin, who presents the Christ Child to the aged Simeon. On the right is the prophetess Anna, raising her right hand in acclamation and looking upwards to thank God. In the centre is a small altar bearing a cross.
Dimensions
  • Height: 16.3cm
  • At bottom width: 10.4cm
  • At top width: 10.6cm
  • Weight: 0.24kg
  • Depth: 1cm
Measured for the Medieval and Renaissance Galleries 2006
Object history
Purchased from Webb, £40. Written in ink on the back in an 19th century hand is 'della Chiesa di Legnano'. Legnano (Lombardy) is 30 km northwest of Milan, and if this provenance is to be believed would seem only to indicate a post-medieval history.

Historical significance: In style the present plaque belongs with a small group of reliefs of slightly lesser quality than the other 'post-Salerno group' ivories (see also Inv. no. 701-1884), being particularly close to the Adoration of the Magi now in Frederikssund and the Baptism of Christ from the Thyseen-Bornemisza collection. From its iconography the plaque follows the form of the Presentation in the Temple scene in the Salerno ivories ensemble, with some changes, of which the most striking one is the lack of haloes on the London plaque, a feature it shares with the Thyseen-Bornemisza panel. The latter has two recesses in the lower border of identical form like the present plaque, suggesting that they belonged to the same ensemble.
Production
Salerno or Amalfi
Subjects depicted
Summary
This ivory panel was carved in southern Italy in Amalfi or Salerno in the late 11th century. It is closely related in style to the so-called ‘Salerno Ivories’, a large group of plaques made for an item of church furniture in Salerno Cathedral, probably at the time of the church’s consecration in 1084. The ivories show close links with Byzantine works of art, which were imported to this area in the second half of the 11th century.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 8
  • Bergman, Robert P. The Salerno Ivories: Ars Sacra from Medieval Amalfi. Cambridge, Mass: Harvard University PRESS, 1980, cat. no. B13, fig. 168
  • Cf. Carucci, Arturo. Gli Avori Salernitani del Secolo XII. Salerno: Jannone, 1965, pp. 178
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part I, p. 93
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010 pp. 242, 3
  • Dell'Acqua, Francesca; Cutler, Anthony; Kessler, Herbert L.; Shalem, Avinoam; Wolf, Gerhard, eds. The Salerno Ivories: Objects, Histories, Contexts, Berlin, 2016, pp. 71-72, 94-96.
  • Stiegemann, Christoph & Wemhoff, Matthias (eds.), Canossa 1077 - Erschütterung der Welt : Geschichte, Kunst und Kultur am Aufgang der Romanik, München : Hirmer, 2006 385
  • Romagnoli, Daniela (ed.), Il Medioevo europeo di Jacques Le Goff, Cinisello Balsamo (Milano) : Silvana, 2003 68
Collection
Accession number
238-1867

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Record createdJuly 23, 2007
Record URL
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