Image of Gallery in South Kensington
On display at Young V&A
Design Gallery, The Factory, Case 1

Cake slice

Cake Slice
1990 (made)
Artist/Maker
Place of origin

This slice is humorous and superbly executed. The classic antique trowel shape is brought up to date and bears the artist's personal imprint on it. In a characteristically humorous approach, Appleby has interpreted the trowel as a spade for shovelling cake. The slice is also heart shaped; the Queen of Hearts is also the queen of tarts. Playfulness and practicality are in no way incompatible, as Appleby proves, playing with ideas as well as with forms. He added a further personal touch for the commissioner, Seymour Rabinovitch, by engraving a letter monogram R on the butt of the handle.

Malcolm Appleby was born in 1946. He studied at Central School of Art, Sir John Cass and the Royal College of Art in London before establishing his studio in Scotland in 1969. He is a silversmith and metal engraver, known for his imaginative use of line and form.


Object details

Categories
Object type
TitleCake slice
Materials and techniques
Silver, extensively engraved
Brief description
Silver, Edinburgh hallmarks for 1990, made by Peter Musgrove, engraved by Malcolm Appleby, mark of Malcolm Appleby.
Physical description
The blade, heart shaped; the solid forged handle loops forward before sweeping back. The blade is engraved with a depiction of a lusty, earthy, gluttonous queen whose hair (or tiara) is in the form of a fleur-de-lis. She clutches cake in both hands and her jewellery is composed of drip cornets and other pastries. Her body and dress completely fill all the available space handle engraved with flowing scroll-work, the end with the letter R (for Rabinovitch) and the words, allegedly said by Marie Antoinette, "Let them eat cake."
Dimensions
  • Length: 28.5in
  • Weight: 435g
  • Width: 13cm
Marks and inscriptions
  • Edinburgh hallmarks for 1990
  • Mark of Malcolm Appleby
  • The end of the handle engraved with the letter "R" and the words, "Let them eat cake."
Gallery label
This collection of silver slices, all commissioned over a period of twenty years by Professor Benton Seymour Rabinovitch FRS, is proof of the skill and diversity of contemporary silversmiths. Each artist craftsman has responded to the familiar functional form of the slice in an individual way, producing an astonishingly diverse range of interpretations. Each piece becomes an enchanting, decorative work of art. Professor Rabinovitch established a close rapport with each artist, always encouraging a freedom of creative expression. The response of these silversmiths has been not only to be strikingly imaginative but also to honour him by giving him their best work. This collection is testimony to the significant contribution that one individual can make to supporting the craft of silversmithing. After commissioning work from some of the most illustrious names in British and North American silversmithing, Professor Rabinovitch has very generously donated his entire collection to the Victoria and Albert Museum, through the American Friends of the V&A.(2005)
Credit line
Given by the American Friends of the V&A through the generosity of Professor B. Seymour Rabinovitch
Object history
Rabinovitch Collection Exhibition RF.2004/419
Subjects depicted
Summary
This slice is humorous and superbly executed. The classic antique trowel shape is brought up to date and bears the artist's personal imprint on it. In a characteristically humorous approach, Appleby has interpreted the trowel as a spade for shovelling cake. The slice is also heart shaped; the Queen of Hearts is also the queen of tarts. Playfulness and practicality are in no way incompatible, as Appleby proves, playing with ideas as well as with forms. He added a further personal touch for the commissioner, Seymour Rabinovitch, by engraving a letter monogram R on the butt of the handle.

Malcolm Appleby was born in 1946. He studied at Central School of Art, Sir John Cass and the Royal College of Art in London before establishing his studio in Scotland in 1969. He is a silversmith and metal engraver, known for his imaginative use of line and form.
Bibliographic references
  • Rabinovitch, Benton Seymour and Helen Clifford, Contemporary Silver; commissioning, designing, collectiing, London, Merrell, 2000, pp.28-29 ill. ISBN. 1858941040; Catrin Jones and Vanessa Brett, Silver:Light and Shade, The Holburne Museum Bath 2016, p.26.
  • Jones, Catrin and Vanessa Brett. Silver: Light and Shade. Catalogue of the exhibition held at the Holburne Museum, Bath, 22 October 2016 - 22 January 2017. Bath: The Holburne Museum 2016. ISBN 978-0-903679-14-5
Other number
LOAN:AMERICANFRIENDS.62-2005 - previous loan number
Collection
Accession number
M.35-2008

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 23, 2007
Record URL
Download as: JSON