Wine Cup thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
South Asia Gallery, Room 41

Wine Cup

c. 1630-50 (made)
Artist/Maker
Place of origin

This wine bowl is a rare surviving example of rock crystal produced for the Mughal court in the first half of the 17th century. It may be dated to the reign of Shah Jahan (r. 1628-1658) because of its use of floral motifs similar to those found of architecture of the period, and because of its very high quality. The decoration is deliberately restrained in order to demonstrate the unblemished nature of the hardstone.

The bowl came from the famous collection of Indian hardstones formed by Colonel Charles Seton Guthrie, who had served in India from 1828 to 1857. He sold part of his collection, including this piece, to the Indian Museum in 1868. In 1879 a large part of the Indian Museum collection was transferred to the South Kensington Museum (later renamed the Victoria and Albert Museum). The Indian Museum's very sparse surviving acquisition papers mention in passing that Guthrie bought pieces from the royal collections in Delhi and Lucknow, and from the Sikh treasury, all of which were being broken up and dispersed while he was in India, but no attempt seems to have been made to establish which pieces may have come from which source. Guthrie died in 1874 and the rest of his collection was sold at auction at Christie's London.


Object details

Categories
Object type
Materials and techniques
Rock crystal.
Brief description
Domestic, rock crystal, Mughal empire, c. 1630-50
Physical description
The bowl has minimal decoration in order to show the perfection of the crystal. It borrows architectural features found during the reign of Shah Jahan, including the pendant bud forms used for the handles.
Dimensions
  • Height: 5.5cm
  • Width: 14.5cm
Style
Subject depicted
Summary
This wine bowl is a rare surviving example of rock crystal produced for the Mughal court in the first half of the 17th century. It may be dated to the reign of Shah Jahan (r. 1628-1658) because of its use of floral motifs similar to those found of architecture of the period, and because of its very high quality. The decoration is deliberately restrained in order to demonstrate the unblemished nature of the hardstone.

The bowl came from the famous collection of Indian hardstones formed by Colonel Charles Seton Guthrie, who had served in India from 1828 to 1857. He sold part of his collection, including this piece, to the Indian Museum in 1868. In 1879 a large part of the Indian Museum collection was transferred to the South Kensington Museum (later renamed the Victoria and Albert Museum). The Indian Museum's very sparse surviving acquisition papers mention in passing that Guthrie bought pieces from the royal collections in Delhi and Lucknow, and from the Sikh treasury, all of which were being broken up and dispersed while he was in India, but no attempt seems to have been made to establish which pieces may have come from which source. Guthrie died in 1874 and the rest of his collection was sold at auction at Christie's London.
Bibliographic references
  • Swallow, D., Stronge, S., Crill, R., Koezuka, T., editor and translator, "The Art of the Indian Courts. Miniature Painting and Decorative Arts", Victoria & Albert Museum and NHK Kinki Media Plan, 1993. p. 50, cat. no. 26
  • Rogers, Emma: Arts of Asia, vol. 45, no. 5, September - October 2015, "The Parasol Foundation Trust Programme: digitising and cataloguing the V&A's South Asian collection.", p. 111, pl. 38.
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 232, cat. no. 1224, pl. 75 top, left.
  • Baker, Malcolm, et. al., A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
Collection
Accession number
02608(IS)

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Record createdDecember 15, 1999
Record URL
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