Kittens collect game for the White Cat's supper
Watercolour
ca.1894 (made)
ca.1894 (made)
Artist/Maker |
Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.
Before publishing her own stories from 1901, Potter illustrated fables, fairy tales and classic texts, such as Uncle Remus, Alice in Wonderland and Cinderella. She drew largely to amuse herself, or children she knew, but also to develop her illustrative technique. Her interpretations of these well-known texts are always fresh, original, and faithful to the true nature and appearance of animals.
This design illustrates ‘The White Cat’, a fairy tale by the Countess d’Aulnoy. Potter inscribed one of the four sheets relating to the tale in the Linder Bequest: ‘Hertfordshire’. As such, the drawings were probably made during one of Potter’s 1894 visits to Camfield Place in Hertfordshire, the country home of her paternal grandparents, the surrounding landscape, seen with a covering snow, included within her illustrations. Writing in her journal Potter called Camfield, ‘the place I love best in the world’.
Another drawing related to this group was published in a booklet by the firm of Ernest Nister, who published some of Potter’s drawings within their children’s publications of the 1890s. Their 1896 Holiday Annual, for example, included Potter’s series of drawings, ‘A Frog He Would a-Fishing Go’.
Anne Stevenson Hobbs suggested that the kittens included in Potter’s illustrations of ‘The White Cat’, with their guns and game-bag, might have been inspired by sporting prints. These early cat characters also seem to pre-empt Potter’s 1914 protagonist, the gun-wielding and boot-wearing cat in Kitty in Boots (not published during Potter’s lifetime).
Before publishing her own stories from 1901, Potter illustrated fables, fairy tales and classic texts, such as Uncle Remus, Alice in Wonderland and Cinderella. She drew largely to amuse herself, or children she knew, but also to develop her illustrative technique. Her interpretations of these well-known texts are always fresh, original, and faithful to the true nature and appearance of animals.
This design illustrates ‘The White Cat’, a fairy tale by the Countess d’Aulnoy. Potter inscribed one of the four sheets relating to the tale in the Linder Bequest: ‘Hertfordshire’. As such, the drawings were probably made during one of Potter’s 1894 visits to Camfield Place in Hertfordshire, the country home of her paternal grandparents, the surrounding landscape, seen with a covering snow, included within her illustrations. Writing in her journal Potter called Camfield, ‘the place I love best in the world’.
Another drawing related to this group was published in a booklet by the firm of Ernest Nister, who published some of Potter’s drawings within their children’s publications of the 1890s. Their 1896 Holiday Annual, for example, included Potter’s series of drawings, ‘A Frog He Would a-Fishing Go’.
Anne Stevenson Hobbs suggested that the kittens included in Potter’s illustrations of ‘The White Cat’, with their guns and game-bag, might have been inspired by sporting prints. These early cat characters also seem to pre-empt Potter’s 1914 protagonist, the gun-wielding and boot-wearing cat in Kitty in Boots (not published during Potter’s lifetime).
Object details
Categories | |
Object type | |
Title | Kittens collect game for the White Cat's supper |
Materials and techniques | watercolour and pen and ink on paper |
Brief description | Watercolour and pen and ink illustration to 'The White Cat' by the Countess d'Aulnoy, drawn by Beatrix Potter, ca.1894; Linder Bequest cat. no. LB.985(a) |
Physical description | An illustration made on a thin sheet of paper with two tabby kittens, one wearing a green coat and game bag, shooting at birds in snow-covered fields, near a farm. |
Dimensions |
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Production type | Unique |
Marks and inscriptions | 'H.B.P.' (Inscribed by the artist, lower left.) |
Gallery label | These illustrations are among several made, according to an inscription, for a fairy tale written by the Madame D’Aulnoy (about 1650/51–1705) entitled The White Cat. The story revolves around a young prince who falls for a princess bewitched by fairies into the form of a cat. The prince must be prepared to cut off the cat’s head to transform her into her true form. Potter ignored the central story and focussed instead on the White Cat’s hunting party, reflecting what cats do naturally.(November 2019) |
Credit line | Linder Bequest [plus object number; written on labels on the same line as the object number] |
Object history | Acquired by the V&A from Leslie Linder (1904-1973) in 1973 as part of the Linder Bequest, a collection of ca. 2150 watercolours, drawings, literary manuscripts, correspondence, books, photographs, and other memorabilia associated with Beatrix Potter and her family. |
Subjects depicted | |
Summary | Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale. Before publishing her own stories from 1901, Potter illustrated fables, fairy tales and classic texts, such as Uncle Remus, Alice in Wonderland and Cinderella. She drew largely to amuse herself, or children she knew, but also to develop her illustrative technique. Her interpretations of these well-known texts are always fresh, original, and faithful to the true nature and appearance of animals. This design illustrates ‘The White Cat’, a fairy tale by the Countess d’Aulnoy. Potter inscribed one of the four sheets relating to the tale in the Linder Bequest: ‘Hertfordshire’. As such, the drawings were probably made during one of Potter’s 1894 visits to Camfield Place in Hertfordshire, the country home of her paternal grandparents, the surrounding landscape, seen with a covering snow, included within her illustrations. Writing in her journal Potter called Camfield, ‘the place I love best in the world’. Another drawing related to this group was published in a booklet by the firm of Ernest Nister, who published some of Potter’s drawings within their children’s publications of the 1890s. Their 1896 Holiday Annual, for example, included Potter’s series of drawings, ‘A Frog He Would a-Fishing Go’. Anne Stevenson Hobbs suggested that the kittens included in Potter’s illustrations of ‘The White Cat’, with their guns and game-bag, might have been inspired by sporting prints. These early cat characters also seem to pre-empt Potter’s 1914 protagonist, the gun-wielding and boot-wearing cat in Kitty in Boots (not published during Potter’s lifetime). |
Bibliographic references |
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Other number | LB.985(a) - Linder Bequest catalogue no. |
Collection | |
Library number | BP.1473(A) |
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Record created | November 17, 2016 |
Record URL |
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