Physical description

The blade is an asymetric polished trowel that has two slightly waved contours, right and rear, and a gently convex bevelled left side. Somewhat over half the blade, leaning to the right, is highly pierced in a rambling, curving slit pattern that carries up continuously into the top side of the handle. The latter has a tapering, triangular cross section and a waved rear edge. The handle passes into a conforming slot at the rear edge of the blade. The interior of the handle has been pickled to a white, matt finish, while visible through the piercing. The blade is decorated with a small up-pointed moonstone set into the pierced area.

Place of Origin

Sheffield (made)

Date

2002 (made)

Artist/maker

Thomas, Barry (designer and maker)

Materials and Techniques

Sterling silver, set with a moonstone

Marks and inscriptions

Sheffield hallmarks for 2002

Mark of Barry Thomas

Dimensions

Length: 32.5 cm, Weight: 443 g

Object history note

Fairfax House Fish & Cake Slice exhibition RF.2004/419

Historical significance: Thomas' work is "an ongoing search for the perfect combination of lines, curves and balance." The artist seeks to design in a multi-layered way so that his pieces reveal something new on each viewing. He combines "composure, grace and …humour" in his work.

Historical context note

Part of a collection of fish slices commissioned by Professor Rabinovitch from contemporary North American and British makers.

Descriptive line

Silver, Sheffield hallmarks for 2005, mark of Barry Thomas.

Bibliographic References (Citation, Note/Abstract, NAL no)

Benton Seymour Rabinovitch, Contemporary Silver, Part II: Recent Commissions, Seattle, 2005, pp. 40-41. ill.

Labels and date

This collection of silver slices, all commissioned over a period of twenty years by Professor Benton Seymour Rabinovitch FRS, is proof of the skill and diversity of contemporary silversmiths. Each artist craftsman has responded to the familiar functional form of the slice in an individual way, producing an astonishingly diverse range of interpretations. Each piece becomes an enchanting, decorative work of art. Professor Rabinovitch established a close rapport with each artist, always encouraging a freedom of creative expression. The response of these silversmiths has been not only to be strikingly imaginative but also to honour him by giving him their best work.

This collection is testimony to the significant contribution that one individual can make to supporting the craft of silversmithing. After commissioning work from some of the most illustrious names in British and North American silversmithing, Professor Rabinovitch has very generously donated his entire collection to the Victoria and Albert Museum, through the American Friends of the V&A. [2005]

Materials

Silver; Moonstone

Techniques

Piercing; Pickling (metal-working); Bevelling

Categories

Metalwork; Eating

Collection

Metalwork Collection