A Hindoo Female of the Deccan & Concane thumbnail 1
Not currently on display at the V&A

A Hindoo Female of the Deccan & Concane

Oil Painting
1805 (painted)
Artist/Maker
Place of origin

Grindley came to India in 1803 as an army officer and held various posts which enabled him to travel around western India. His book 'Scenery, Costumes and Architecture, chiefly on the Western side of India', published in London 1826-30, is ranked among the finest colour-plate volumes depicting views of India ever produced. Although many of the original sketches were by Grindlay, twenty-five other artists were also involved in the project.

This page sets the romantic tone of the volume, which is filled with landscapes, architectural settings and figures in vivid clothes all portrayed with atmospheric effects, soft mists and golden sunlight.

In this picture the original engraving has been overpainted with oils. The mountains of the Western Ghats have been added to the engraved composition to create a romanticised idyllic setting. The engraving was based on a sketch of the daughter of Gangadhar Sastri, Envoy to the Gaekwar of Baroda prior to the Mahratta war of 1817.


Object details

Categories
Object type
TitleA Hindoo Female of the Deccan & Concane (assigned by artist)
Materials and techniques
oil on cardboard
Brief description
A Hindoo Female of the Deccan & Concane by Robert Grindlay, painting, painting, oil on card, c.1826
Physical description
"A Hindoo Female of the Deccan & Concane" by R. Melville Grindlay, 1805, India, oil on grey cardboard
Dimensions
  • Height: 18.7cm
  • Width: 14.5cm
Gallery label
In this picture the original engraving has been overpainted with oils. The mountains of the Western Ghats have been added to the engraved composition to create a romanticised idyllic setting. The engraving was based on a sketch of the daughter of Gangadhar Sastri, Envoy to the Gaekwar of Baroda prior to the Mahratta war of 1817.
Summary
Grindley came to India in 1803 as an army officer and held various posts which enabled him to travel around western India. His book 'Scenery, Costumes and Architecture, chiefly on the Western side of India', published in London 1826-30, is ranked among the finest colour-plate volumes depicting views of India ever produced. Although many of the original sketches were by Grindlay, twenty-five other artists were also involved in the project.

This page sets the romantic tone of the volume, which is filled with landscapes, architectural settings and figures in vivid clothes all portrayed with atmospheric effects, soft mists and golden sunlight.

In this picture the original engraving has been overpainted with oils. The mountains of the Western Ghats have been added to the engraved composition to create a romanticised idyllic setting. The engraving was based on a sketch of the daughter of Gangadhar Sastri, Envoy to the Gaekwar of Baroda prior to the Mahratta war of 1817.
Bibliographic references
  • Rohatgi P. and Parlett G., assisted by Imray S. and Godrej P. Indian Life and Landscape by Western Artists: Paintings and Drawings from the Victoria and Albert Museum, 17th to the early 20th century. Published by Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, in association with V&A, London, 2008. ISBN 81-901020-9-5. p. 255, pl. 9
  • Patel, Divia; Rohatgi, Pauline and Godrej, Pheroza, "Indian Life and Landscape by Western Artists: an exhibition of paintings and drawings from the 17th to the early 20th century organised by the V&A and CSMVS". Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7 p. 48
Other number
12,643 - India Museum Slip Book
Collection
Accession number
03539(IS)

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Record createdJuly 4, 2007
Record URL
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