Jane Avril au Jardin de Paris
Poster
1893 (made)
1893 (made)
| Artist/Maker | |
| Place of origin |
The Jardin de Paris was a café-concert hall owned by the proprietor of the Moulin Rouge. One of the hall's performers, Jane Avril, is seen here dancing on stage. Avril was a favourite subject of Toulouse-Lautrec's and appears in many of his works from this period, including another poster, Divan Japonais, which, unusually, shows her as a spectator rather than a performer.
This poster demonstrates the visual juxtaposition of the beautiful and the grotesque that was so beloved of Toulouse-Lautrec: the sensuous figure of Avril contrasts sharply with that of the caricatured features of the musician playing the double-bass, his hairy knuckles are rendered all the more conspicuous by their proximity to her frothy gown.
This poster demonstrates the visual juxtaposition of the beautiful and the grotesque that was so beloved of Toulouse-Lautrec: the sensuous figure of Avril contrasts sharply with that of the caricatured features of the musician playing the double-bass, his hairy knuckles are rendered all the more conspicuous by their proximity to her frothy gown.
Object details
| Categories | |
| Object type | |
| Title | Jane Avril au Jardin de Paris (assigned by artist) |
| Materials and techniques | Colour lithograph |
| Brief description | Poster, 'Jane Avril au Jardin de Paris', Henri de Toulouse-Lautrec, French; 1899 |
| Physical description | A woman in a red dress and feathered hat raises her leg in the can-can while dancing on stage. In the foreground a musician playing a double-bass can be seen in the orchestra pit. |
| Dimensions |
|
| Style | |
| Marks and inscriptions |
|
| Credit line | Given by Mrs J.T. Clarke |
| Subjects depicted | |
| Place depicted | |
| Summary | The Jardin de Paris was a café-concert hall owned by the proprietor of the Moulin Rouge. One of the hall's performers, Jane Avril, is seen here dancing on stage. Avril was a favourite subject of Toulouse-Lautrec's and appears in many of his works from this period, including another poster, Divan Japonais, which, unusually, shows her as a spectator rather than a performer. This poster demonstrates the visual juxtaposition of the beautiful and the grotesque that was so beloved of Toulouse-Lautrec: the sensuous figure of Avril contrasts sharply with that of the caricatured features of the musician playing the double-bass, his hairy knuckles are rendered all the more conspicuous by their proximity to her frothy gown. |
| Associated object | E.705-2000 (Duplicate) |
| Bibliographic references |
|
| Collection | |
| Accession number | E.229-1921 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | July 3, 2007 |
| Record URL |
Download as: JSONIIIF Manifest
