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Print - Oroonoko: or the Royal Slave; Death is security for all our fears

Oroonoko: or the Royal Slave; Death is security for all our fears

  • Object:

    Print

  • Place of origin:

    London, England (printed)

  • Date:

    1791 (printed)

  • Artist/Maker:

    Smith, A. E. (engraver)
    William Hamilton, born 1751 - died 1801 (after, artist)

  • Materials and Techniques:

    Engraving on paper

  • Museum number:

    E.756-1887

  • Gallery location:

    In Storage

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Oroonoko: or the Royal Slave was written by Aphra Behn and published in 1688. The novel tells the story of a tragic love affair between Oroonoko, an African prince, and Imoinda, the daughter of an African general. In the story the lovers are forced into slavery and transported to Surinam in the West Indies, then an English colony based on sugarcane plantations. The lovers make a death pact in preference to a life lived under slavery. Oroonoko kills Imoinda before suffering an inhumane death in a public execution.

Behn’s novel was not immediately successful but a 1695 adaptation for stage by Thomas Southerne brought the story to a wider audience and was a great success. After the play was staged, a new edition of the novel appeared and it remained in print throughout the 18th century. The adaptation was generally faithful to the novel, with one significant exception: it makes Imoinda white instead of black, therefore the male lead would perform in blackface to a white heroine. This print, an illustration to act v, scene iii of Southerne’s stage adaptation, presents Oroonoko in the guise of the ‘noble savage’, with European facial features and wearing elaborate dress including a feathered turban.

Physical description

Printed illustration to stage adaptation of Aphra Behn's 'Oroonoko: or the Royal Slave', showing Oroonoko, in the guise of 'noble savage' pointing (a white) Imoinda to a dead body laying on the ground

Place of Origin

London, England (printed)

Date

1791 (printed)

Artist/maker

Smith, A. E. (engraver)
William Hamilton, born 1751 - died 1801 (after, artist)

Materials and Techniques

Engraving on paper

Dimensions

Height: 14 cm, Width: 8 cm

Object history note

Probably an illustration to a reprint of the stage adaptation by Thomas Southerne, 'Oroonoko, Adapted for Theatrical Representation as performed at the Theatres-Royal, Drury-Lane and Covent Garden. Regulated from the Prompt-Books, by Permission of the Managers', 1791. The depicted scene is act v, scene iii

Historical context note

Blackface is a style of theatrical makeup that originated in the United States around 1830 and which was based on racist stereotypes of African Americans. It was most commonly used in the minstrel performance tradition. White performers (and sometimes black) used burnt cork, greasepaint or shoe polish to blacken their skin and exaggerate their lips. The look was completed with ‘woolly’ wigs, gloves, tailcoats and/or ragged clothes. Blackface was a performance tradition in American theatre for over 100 years and was also popular overseas. Stereotypes embodied in the stock characters of blackface minstrelsy played a significant role in cementing and proliferating racist attitudes.

Descriptive line

Print, illustration to the 1695 stage adaptation of Aphra Behn's 'Oroonoko: or the Royal Slave'

Categories

Black History; Slavery & Abolitionism

Collection code

PDP

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Qr_O136801
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