Blue Seanemone II thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Blue Seanemone II

Brooch
2016 (made)
Artist/Maker
Place of origin

Flóra Vági’s brooch ‘Blue Seanemone II’ is made from an old book - the spine gives structure to the piece, while the trimmed pages bend back on themselves to create sinuous curves which suggest the movement of a sea anemone’s tentacles moving in water. It is a subtle example of recycling: the book is transformed, but not beyond recognition – fragments of text remain visible although the precise identity of the book is not disclosed by the maker: ‘I like the idea that once the book is transformed it contains a secret history. Just like with my wood pieces, the original material is hard to trace back, it is unlikely that anyone could point out which tree, in which part of the forest [it] has been growing for years. Yet the story is still inside, whether it has become a chair or a book filled with poetry’ or at one further remove, a brooch’.


Object details

Categories
Object type
TitleBlue Seanemone II (assigned by artist)
Materials and techniques
Pages from an old book, hand-sawn, painted and constructed
Brief description
'Blue Seanemone II' brooch, designed and made by Flóra Vági, Hungary, 2016
Physical description
Large blue brooch of undulating paper, cut and curled from a horizontal section of a re-cycled book. The back is stiffened with acrylic paint and given a silver framework with steel double pin.
Dimensions
  • Height: 130mm
  • Width: 98mm
  • Depth: 22mm
Marks and inscriptions
unmarked
Credit line
Given by Katalin Spengler
Summary
Flóra Vági’s brooch ‘Blue Seanemone II’ is made from an old book - the spine gives structure to the piece, while the trimmed pages bend back on themselves to create sinuous curves which suggest the movement of a sea anemone’s tentacles moving in water. It is a subtle example of recycling: the book is transformed, but not beyond recognition – fragments of text remain visible although the precise identity of the book is not disclosed by the maker: ‘I like the idea that once the book is transformed it contains a secret history. Just like with my wood pieces, the original material is hard to trace back, it is unlikely that anyone could point out which tree, in which part of the forest [it] has been growing for years. Yet the story is still inside, whether it has become a chair or a book filled with poetry’ or at one further remove, a brooch’.
Collection
Accession number
M.4-2016

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Record createdJune 21, 2016
Record URL
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