Leather Panel
1700-50 (made)
Artist/Maker | |
Place of origin |
Leather panels were used to cover walls as an alternative to wooden panelling or textile hangings. Luxurious effects could be achieved with rich colours and highly patterned surfaces. Often the decoration of these hangings echoed the design of other furnishings in a room, and tied together an interior decorative scheme. The exuberant scrolls and foliage on this panel resemble carved decoration found on gilded French furniture of the early 18th century.
It is uncertain exactly how this panel was made. Traditionally, wet leather was pressed onto a raised wooden mould to create an embossed surface. In 1628, however, a similar process using a heated metal plate was patented in the Netherlands. This technique, which was widely copied, made it possible to produce large numbers of identical, finely detailed panels. Even sharper detail could be achieved on a thin leather, such as calf skin, which was probably used for this panel. Its crisp embossed surface suggests that a metal plate was used in this panel's manufacture.
Although areas of the panel appear to be gilded, the precious metal used to create this effect is actually silver. A thin silver foil was applied to the panel and then coated with a layer of yellow varnish to look like gold leaf.
It is uncertain exactly how this panel was made. Traditionally, wet leather was pressed onto a raised wooden mould to create an embossed surface. In 1628, however, a similar process using a heated metal plate was patented in the Netherlands. This technique, which was widely copied, made it possible to produce large numbers of identical, finely detailed panels. Even sharper detail could be achieved on a thin leather, such as calf skin, which was probably used for this panel. Its crisp embossed surface suggests that a metal plate was used in this panel's manufacture.
Although areas of the panel appear to be gilded, the precious metal used to create this effect is actually silver. A thin silver foil was applied to the panel and then coated with a layer of yellow varnish to look like gold leaf.
Object details
Categories | |
Object type | |
Materials and techniques | Embossed and gilded leather |
Brief description | Embossed gilt leather panel, decorated with a symmetrical design with flowers, foliage and shield -shaped scrolls, all gilded on a blue ground, Dutch, ca. 1700-1750. |
Physical description | Embossed and painted leather panel, with gilt-effect scrolls, foliage and flowers on a dark blue ground. |
Dimensions |
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Credit line | Given by Murray Marks |
Object history | Given by Murray Marks, 395 Oxford St (with three other leather panels, 1651, 1652, 1653 and 1654-1871), and then attributed as 'Spanish. 17th century' Wall hangings in Levens Hall, Cumbria (GB). Panels in the Museum of Leathercraft, Northampton, inventory number 1546-67/29; Temple Newsam House, Leeds, temporary inventory number 12; Kunstgewerbemuseum, Dresden, inventory numbers 6864, 14327; Deutsches Ledermuseum, Offenbach am Main, inventory numbers 2432, 2433 and 2455; Württembergisches Landesmuseum, Stuttgart, inventory number WLM 9483 f; Museo des Artes Decorativos, Madrid, inventory number 461; Coll. Colomer-Munmany, Vic, inventory number C2427 |
Summary | Leather panels were used to cover walls as an alternative to wooden panelling or textile hangings. Luxurious effects could be achieved with rich colours and highly patterned surfaces. Often the decoration of these hangings echoed the design of other furnishings in a room, and tied together an interior decorative scheme. The exuberant scrolls and foliage on this panel resemble carved decoration found on gilded French furniture of the early 18th century. It is uncertain exactly how this panel was made. Traditionally, wet leather was pressed onto a raised wooden mould to create an embossed surface. In 1628, however, a similar process using a heated metal plate was patented in the Netherlands. This technique, which was widely copied, made it possible to produce large numbers of identical, finely detailed panels. Even sharper detail could be achieved on a thin leather, such as calf skin, which was probably used for this panel. Its crisp embossed surface suggests that a metal plate was used in this panel's manufacture. Although areas of the panel appear to be gilded, the precious metal used to create this effect is actually silver. A thin silver foil was applied to the panel and then coated with a layer of yellow varnish to look like gold leaf. |
Bibliographic references |
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Collection | |
Accession number | 1654-1871 |
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Record created | June 6, 2007 |
Record URL |
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