Not currently on display at the V&A

Le Coureur

Plate
ca.1850 (made)
Artist/Maker
Place of origin

This is one of a set of plates decorated with equestrian circus subjects made in France in the mid-19th century by the Creil and Montereau pottery, a business which operated until 1895 and was created from the amalgamation of two potteries, one at Creil-sur-Oise, north of Paris, established in 1797, and another at Montereau, south of Paris, established in 1748. Louis Lebeuf and Etienne Thibault operated the business from 1825 to 1833, and the wares were stamped 'Creil and Montereau' and 'Lebeuf Milliet & Cie.' from about 1840 until the death of Lebeuf in 1876.

Earthenware made at the Creil factory was the first French pottery to use transfer printing on earthenware. By reproducing engravings on different topics they created several sets of plates, including 'Le Nouveau Paris', views of the city, and another of views of Switzerland. Equestrian acts were very popular in French circus during the 19th century, at a time when there were several permanent circus buildings in Paris. The act known as 'The courier of St. Petersburg' shown on this plate imitated the journey of a courier from St. Petersburg to Moscow and involved the rider picking up the reins of another horse every time he circled the ring.


Object details

Categories
Object type
TitleLe Coureur (manufacturer's title)
Materials and techniques
Printed and glazed porcelain
Brief description
Plate featuring an image of the equestrian circus act Le Courier,or The Courier of St. Petersburg.Transfer-printed porcelain by Lebeuf Milliet & Cie. French, ca.1850. Antony Hippisley Coxe Collection.
Physical description
Glazed earthenware plate featuring a coloured transfer image of an engraving of a French equestrian performing the circus act of 'Le Courier'or The Courier of St. Petersburg. The equestrian is holding a trumpet and standing on a horse which is cantering from left to right. He is dressed in green jacket, cream breeches and a pink sash, and the horse has a pink plume on his bridle. The rim of the plate is decorated with alternating motifs of a cantering horse, laurel wreaths surrounding a helmet from a suit of armour, and horses' heads. 'Le Coureur' is written below the image in uppercase lettering.

Leboeuf, Milliet & Co. of Creil and Montereau, France used their LM & Cie mark from 1841, the date the company was founded by Louis Martin Lebeuf (1792-1854) and Jean Baptiste Gratien Milliet (1797-1875) and used until the business folded in 1895.

Dimensions
  • Diameter: 21.2cm
  • Height: 2.3cm
Marks and inscriptions
  • Printed verso with the manufacturer's mark for Lebeuf Milliet & Cie: 'PORCELAIN OPAQUE CREIL ET MONTREAU written around the circumference of a circular mark, inside which is written: MEDAILLE D'OR 1834 ET 1839 LEBEUF MILLIET ET CIE'
  • Mark of Lebeuf Milliet & Cie verso.
Credit line
Antony Hippisley Coxe Collection
Object history
Exhibited in the V&A circus display, Gallery 104A, celebrating the 250th anniversary of the foundation of circus, April 2018 to February 2019
Production
The mark for Lebeuf Milliet & Co.states their locations as 'Creuil et Montereau' and that they gained a gold medal in 1834 and 1839.
Subjects depicted
Summary
This is one of a set of plates decorated with equestrian circus subjects made in France in the mid-19th century by the Creil and Montereau pottery, a business which operated until 1895 and was created from the amalgamation of two potteries, one at Creil-sur-Oise, north of Paris, established in 1797, and another at Montereau, south of Paris, established in 1748. Louis Lebeuf and Etienne Thibault operated the business from 1825 to 1833, and the wares were stamped 'Creil and Montereau' and 'Lebeuf Milliet & Cie.' from about 1840 until the death of Lebeuf in 1876.

Earthenware made at the Creil factory was the first French pottery to use transfer printing on earthenware. By reproducing engravings on different topics they created several sets of plates, including 'Le Nouveau Paris', views of the city, and another of views of Switzerland. Equestrian acts were very popular in French circus during the 19th century, at a time when there were several permanent circus buildings in Paris. The act known as 'The courier of St. Petersburg' shown on this plate imitated the journey of a courier from St. Petersburg to Moscow and involved the rider picking up the reins of another horse every time he circled the ring.
Associated objects
Bibliographic references
  • The Circus in Ceramics by Antony Hippisley Coxe. Published in The Tatler and Bystander 8 November 1957.
  • Circus! Circus! : Catalogue of an Exhibition at the Theatre Museum. London : V&A Museum : 1988 no. 197
Collection
Accession number
S.87-2007

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Record createdJune 1, 2007
Record URL
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