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The Transfiguration

Icon
About 1704 (made)
Artist/Maker
Place of origin

Religious icon painting


Object details

Categories
Object type
TitleThe Transfiguration
Materials and techniques
Tempera on panel
Brief description
Icon, 'The Transfiguration', Angelos Anagnostou, about 1704
Physical description
Religious icon painting
Dimensions
  • Approx. height: 18.25in
  • Approx. width: 13.125in
Dimensions taken from departmental object file
Style
Credit line
Given by Major R. G. Gayer Anderson
Object history
Given by Major R. G. Gayer Anderson, 1942

This icon is one of six panels donated to the V&A by Major R G Gayer Anderson in 1942 (W.11-1942, W.12-1942, W.13-1942, W.14-1942, W.15-1942, W.16-1942), and one of a set of four icons attributed to the same artist, Angelos Anagnostou, about whom no information survives. Major Gayer-Anderson was a keen Orientalist who had lived in Cairo for many years until ill health forced him back to his house in Suffolk in 1942, the same year as this donation. His vast collection of antiquities and furnishings was divided primarily between the Major Gayer-Anderson Museum in Cairo (composed of his seventeenth-century house and all of its furnishings), and the Fitzwilliam Museum in Cambridge, which became the beneficiary of his collection of Egyptian antiquities.

Historical significance: The Transfiguration is one of the great feasts of the orthodox liturgical calendar, and this icon is probably from the festival tier of an iconostasis. The icon is divided into two horizontal bands of figures. In the top register, Christ is shown in an orange and red mandorla with enhanced gilded decoration. He is surrounded by the Prophets Moses and Elijah. In the lower register, the Apostles Peter, John and James are shown in awe of the sight falling onto the ground. The figures are all identified with red inscriptions. The rocky surroundings are meant to represent the environs of Mount Tabor, where the Transfiguration is said to have taken place. The style of the figures is an attempt to copy earlier Byzantine modes of representation, but the date of 1704 has been established due to an inscription on the icon depicting the birth of the Virgin.
Production
See W.11-1942, signed by Anagnostou and dated 1704.
Associated objects
Collection
Accession number
W.13-1942

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Record createdMay 22, 2007
Record URL
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