Cushion Cover thumbnail 1
Cushion Cover thumbnail 2
Not currently on display at the V&A

Cushion Cover

ca. 1885 (made)
Artist/Maker
Place of origin

This cushion cover was made from printed velveteen produced by Thomas Wardle of Leek. The cover is in its original condition and it is unlikely that it was ever used. The distinctive browns and greens show it was made specifically for clients who preferred decoration in the so-called 'Aesthetic' taste.

Thomas Wardle was one of the leading British manufacturers of the late 19th century. He also became a leading expert on the manufacture and dyeing of silk. He first visited India in 1885 in order to make a collection of silk textiles and embroideries for the Silk Culture Court of the Colonial and Indian Exhibition. He was then requested to visit Bengal to report on silk manufacture there. He recommended improvements in the industry including sending manufacturers to Italy and France to study production. He concluded that India could supply the greater part, if not all, of the raw material which England required and his advice helped bring work to many in this area and a revenue of £90,000 to £100,000 a year to the State Durbar, a large sum at the time.

This example shows Wardle's improved methods of block-printing and dyeing, many ideas for which he had learned in India. He also used historic eastern patterns for his work, collected both from printed sources and items collected during his trips abroad. This pattern with its hot colouring of browns and rust reds is clearly influenced by Indian design.


Object details

Categories
Object type
Materials and techniques
Block-printed cotton velvet lined and edged with ribbed cotton
Brief description
Cushion cover of printed cotton velvet, designed by Thomas Wardle, Leek, England, ca. 1885.
Physical description
Round cushion cover of block printed cotton velvet. The design shows an Indian pattern of roundels of two palmette type stylised plants, alternately repeated vertically and horizontally. Each motif is surrounded by a curving leafy stem and there are flower buds at the intersections of the roundels. The pattern is printed in shades of green and orange with dark brown outlines on a mid orange/brown ground.

The blocks for this textile were cut for a wider cloth than this as the pattern continues over both selvedges.

The cover is lined and edged with an orange/brown ribbed cotton. It has a gathered and ruched roulé edging.
Dimensions
  • Length: 18.5in (approx.)
  • Diameter: 20.5in
  • Length: 47cm (approx.)
  • Diameter: 52cm
49cm dia (some variation)
Gallery label
British Galleries: Cushion cover: See Spot the Difference label on front of case(27/03/2003)
Object history
Given anonymously. Printed by Thomas Wardle. Made in Leek, Staffordshire
Summary
This cushion cover was made from printed velveteen produced by Thomas Wardle of Leek. The cover is in its original condition and it is unlikely that it was ever used. The distinctive browns and greens show it was made specifically for clients who preferred decoration in the so-called 'Aesthetic' taste.

Thomas Wardle was one of the leading British manufacturers of the late 19th century. He also became a leading expert on the manufacture and dyeing of silk. He first visited India in 1885 in order to make a collection of silk textiles and embroideries for the Silk Culture Court of the Colonial and Indian Exhibition. He was then requested to visit Bengal to report on silk manufacture there. He recommended improvements in the industry including sending manufacturers to Italy and France to study production. He concluded that India could supply the greater part, if not all, of the raw material which England required and his advice helped bring work to many in this area and a revenue of £90,000 to £100,000 a year to the State Durbar, a large sum at the time.

This example shows Wardle's improved methods of block-printing and dyeing, many ideas for which he had learned in India. He also used historic eastern patterns for his work, collected both from printed sources and items collected during his trips abroad. This pattern with its hot colouring of browns and rust reds is clearly influenced by Indian design.
Associated object
Collection
Accession number
T.269-1979

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 15, 1999
Record URL
Download as: JSONIIIF Manifest