Telefunken Radio-Grammo Musikschranke
Trade Literature
1930s (made)
1930s (made)
Telefunken Radio-Grammo Musikschranke
Publisher:
Zurich Orell Fussli 1934
Description:
4 unnumbered pages colour illustrations 21 cm
Publisher:
Zurich Orell Fussli 1934
Description:
4 unnumbered pages colour illustrations 21 cm
Object details
| Categories | |
| Object type | |
| Title | Telefunken Radio-Grammo Musikschranke (published title) |
| Materials and techniques | printed brochure |
| Brief description | Telefunken Radio-Grammo Musikschranke. Zurich Orell Fussli 1934 |
| Physical description | Telefunken Radio-Grammo Musikschranke Publisher: Zurich Orell Fussli 1934 Description: 4 unnumbered pages colour illustrations 21 cm |
| Style | |
| Production type | Mass produced |
| Gallery label | Telefunken Radio-Grammo Musikschränke
Berlin, 1934
In the 1930s no modern home was complete without a wireless radio, or a music system, which supplanted other musical entertainments. Long-playing vinyl records were an innovation of the period, and soon people were buying and listening to records rather than making music themselves. This brochure highlights the popular appeal of the gramophone, especially for younger consumers.
Halftone and screenprint
Printed by Orell Füssli in Zurich
Issued by Telefunken
Museum no. 38041800898439(2018) |
| Object history | From a collection of examples of commercial printing and design including catalogues and books as well as a variety of ephemera such as magazine covers, promotional cards, loose sheets, book plates, book jackets, trade cards, advertisement proofs, wine labels, menu cards etc. Firms include Shell-Mex, Austin Reed, Guinness, Heals, Imperial Airways, Orient Line. Designers include McKnight Kauffer, El Lissitsky, Bawden, Bayer, Gill, Tschichold. Categories of material include architecture, broadcasting, costume, interior design, motor industry, food and drink. In 1936 the National Art Library decided to lay the foundations of a "collection of commercial typography and to exhibit contemporary specimens from time to time so that the trend of typographic design, both in this country and abroad, could be appraised by students of industrial art". The Keeper of the Library, Philip James was largely instrumental in acquiring the material. The bulk of the collection consists of examples from the 1930s, especially 1936 - 1939, with a smattering of items from the 1940s. The collection is further supplemented with material from the 1960s which the Library inherited from the Circulation Department of the Museum after its closure in 1978. As these two groups of material stand as historic collections in their own right, any further examples acquired by the Library have been catalogued individually and not added to this designated 'closed collection'. Currently uncatalogued. A typescript list is available on request at the Main Counter; this list does not include the material inherited from the Circulation Department. |
| Other numbers |
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| Collection | |
| Library number | 38041800898439 |
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| Record created | April 15, 2016 |
| Record URL |
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