Dress Fabric thumbnail 1
Not currently on display at the V&A

Dress Fabric

ca. 1740 (made)
Artist/Maker
Place of origin

Traces of pleats show that this panel of silk was originally part of a woman's gown. Although it does not contain any gold or silver thread, it would have been recognised as expensive fabric by an eighteenth century viewer, because of the complexity of its weave, with thirteen different colours making up the pattern. The colours have been brocaded.

The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively.

In this silk there is an element of fantasy with plants of different scale juxtaposed, but most have been drawn to resemble real trees and flowers, including cherry blossom, rose buds, and tulips, with the variegated colouring in their petals that made them so popular with plant collectors.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Dress Fabric
  • Dress Fabric
Materials and techniques
Brocaded silk
Brief description
Dress fabric, Brocaded silk, 1740s, England
Physical description
Plain woven pink silk, with white silk supplementary weft. Brocaded in 13 colours, with complex binding within the brocading.
Selvedges : pale blue stripe, white stripe, pink and blue cords (right, blue cords (left).
Dimensions
  • Pattern repeat length: 65cm
Credit line
Given by C K Probert
Production
.
Summary
Traces of pleats show that this panel of silk was originally part of a woman's gown. Although it does not contain any gold or silver thread, it would have been recognised as expensive fabric by an eighteenth century viewer, because of the complexity of its weave, with thirteen different colours making up the pattern. The colours have been brocaded.

The technique of brocading allowed different colours to be introduced into the pattern of a fabric in specific, sometimes very small areas. It was a more laborious process for the weaver than using patterning wefts running from selvedge to selvedge, but the resulting effect could be much more varied and lively.

In this silk there is an element of fantasy with plants of different scale juxtaposed, but most have been drawn to resemble real trees and flowers, including cherry blossom, rose buds, and tulips, with the variegated colouring in their petals that made them so popular with plant collectors.
Collection
Accession number
1746&A-1869

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMay 11, 2007
Record URL
Download as: JSONIIIF Manifest