Not currently on display at the V&A

Patience

Costume Sketch
ca. 1920s (designed)
Artist/Maker
Place of origin

Patience, or, Bunthorne’s Bride by W.S. Gilbert and Arthur Sullivan was produced at the Opera Comique Theatre under the management of Richard D’Oyly Carte on Saturday 23rd April 1881, and transferred to the Savoy Theatre on Monday 10th October 1881 until Thursday 23rd November 1882.

By 1880 Gilbert and Sullivan’s operas were a success on both sides of the Atlantic. Realising the limitations of the old-fashioned Opera Comique Theatre, and the public’s undiminished appetite for these profitable comic operas, Carte planned a new theatre for them in London’s Strand. Gilbert started a libretto based on The Rival Curates, his 1867 Bab Ballad concerning two clergymen of neighbouring parishes vying with each other for meekness. Concerned about church reaction however, he turned his satire on Oscar Wilde and Aestheticism, changing the Reverends Clayton Hooper and Hopley Porter into Reginald Bunthorne and Archibald Grosvenor, rival poets competing for the affections of the sensible milkmaid Patience, and the Aesthetic maidens who spurn the officers of the Thirty-Fifth Dragoon Guards. Patience opened at the Opera Comique and received even more critical acclaim in October on its transfer to Carte’s brilliant new theatre, complete with electric light. By sending Oscar Wilde on a North American lecture tour at the end of 1881, Carte helped assure its transatlantic success.


Object details

Categories
Object type
TitlePatience (generic title)
Materials and techniques
ink and watercolour over pencil on paper
Brief description
Costume sketch by Percy Home for two unidentified characters from a production of Patience, ca. 1920s
Physical description
Ink and watercolour over pencil on paper costume sketch by Percy Home for two unidentified characters from a production of Patience, ca. 1920s. The sketch features two figures. The female figure on the left is wearing a white and yellow dress with a yellow crown. The male figure on the right is wearing a blue top with matching breeches.
Dimensions
  • Height: 31.1cm
  • Width: 22.8cm
Credit line
Given by Dame Bridget D'Oyly Carte.
The V&A wishes to acknowledge the generous support given by The Gladys Krieble Delmas Foundation, which facilitated the cataloguing of the D’Oyly Carte Archive designs in 2015/16.
Summary
Patience, or, Bunthorne’s Bride by W.S. Gilbert and Arthur Sullivan was produced at the Opera Comique Theatre under the management of Richard D’Oyly Carte on Saturday 23rd April 1881, and transferred to the Savoy Theatre on Monday 10th October 1881 until Thursday 23rd November 1882.

By 1880 Gilbert and Sullivan’s operas were a success on both sides of the Atlantic. Realising the limitations of the old-fashioned Opera Comique Theatre, and the public’s undiminished appetite for these profitable comic operas, Carte planned a new theatre for them in London’s Strand. Gilbert started a libretto based on The Rival Curates, his 1867 Bab Ballad concerning two clergymen of neighbouring parishes vying with each other for meekness. Concerned about church reaction however, he turned his satire on Oscar Wilde and Aestheticism, changing the Reverends Clayton Hooper and Hopley Porter into Reginald Bunthorne and Archibald Grosvenor, rival poets competing for the affections of the sensible milkmaid Patience, and the Aesthetic maidens who spurn the officers of the Thirty-Fifth Dragoon Guards. Patience opened at the Opera Comique and received even more critical acclaim in October on its transfer to Carte’s brilliant new theatre, complete with electric light. By sending Oscar Wilde on a North American lecture tour at the end of 1881, Carte helped assure its transatlantic success.
Collection
Accession number
S.2823-2015

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Record createdMarch 11, 2016
Record URL
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