Not currently on display at the V&A

Erato (Dionne Sparks)

Photograph
1989 (photographed)
Artist/Maker

This photograph is from a series of portraits of creative black women by Maud Sulter, who is herself of Ghanaian and Scottish parentage. The series is called 'Zabat' and shows each woman as one of the nine Greek muses. The model here, Dionne Sparks, is represented as Erato, the muse of lyric poetry, especially love and erotic poetry.

Maud Sulter produced the Zabat series for Rochdale Art Gallery in 1989, the 150th anniversary of the invention of photography. It was a direct response to the lack of a black presence at other celebratory events and exhibitions. Here we see the conventions of Victorian portrait photography under the command of a black woman photographer. The backdrop, props and pose are all retained but the image is transformed with African clothes, non-European objects and, most importantly, by the resolute black woman at its centre.

The title 'Zabat' also signifies Maud Sulter's call for a repositioning of black women in the history of photography: the word describes an ancient ritual dance performed by women on occasions of power.

Delve deeper

Discover more about this object
read 'Zabat' – photographs by Maud Sulter Maud Sulter (1960 – 2008) was a British visual artist, photographer, poet, publisher, and curator. Her 'Zabat' series from 1989 portrays Black creative women – including herself – as muses from Greek tradition, celebrating the cultural accomplishments of Black women.

Object details

Categories
Object type
Titles
  • Erato (Dionne Sparks) (assigned by artist)
  • Zabat (series title)
Materials and techniques
Dye destruction print
Brief description
'Erato' (Dionne Sparks), dye destruction print, Zabat series, Maud Sulter, 1989
DimensionsPhotograph aprox: 128 x 102 cm Frame: 140 x 116 x 4.5 cm
Historical context
Maud Sulter works with photography as well as video and installation. Amongst her recent projects has been a series of allegorical portraits of contemporary black women which used conventional studio techniques along with the trappings of historical displays. Sulter also uses a variety of conventions from portraiture - from 18th century costume to heavy Victorian frames. The contrast between these anachronistic and aristocratic styles and the actual histories of her sitters is used to poetic effect and also raises questions about the nature of 'national' heritage.
Summary
This photograph is from a series of portraits of creative black women by Maud Sulter, who is herself of Ghanaian and Scottish parentage. The series is called 'Zabat' and shows each woman as one of the nine Greek muses. The model here, Dionne Sparks, is represented as Erato, the muse of lyric poetry, especially love and erotic poetry.

Maud Sulter produced the Zabat series for Rochdale Art Gallery in 1989, the 150th anniversary of the invention of photography. It was a direct response to the lack of a black presence at other celebratory events and exhibitions. Here we see the conventions of Victorian portrait photography under the command of a black woman photographer. The backdrop, props and pose are all retained but the image is transformed with African clothes, non-European objects and, most importantly, by the resolute black woman at its centre.

The title 'Zabat' also signifies Maud Sulter's call for a repositioning of black women in the history of photography: the word describes an ancient ritual dance performed by women on occasions of power.
Associated objects
Bibliographic reference
Katy Barron, Looking In. Photographic Portraits by Maud Sulter and Chan-Hyo Bae. London: Ben Uri Gallery, 2013. ISBN: 978-0-900157-42-4.
Collection
Accession number
E.1798-1991

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Record createdMay 8, 2007
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