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Photograph - Melpomene (Abiola Agana)
  • Melpomene (Abiola Agana)
    Sulter, Maud, born 1960 - died 2008
  • Enlarge image

Melpomene (Abiola Agana)

  • Object:

    Photograph

  • Place of origin:

    Great Britain (probably, photographed)

  • Date:

    1989 (photographed)

  • Artist/Maker:

    Sulter, Maud, born 1960 - died 2008 (photographer)

  • Materials and Techniques:

    Dye destruction print

  • Museum number:

    E.1791-1991

  • Gallery location:

    In Storage

This photograph is from a series of portraits of creative black women by Maud Sulter, who is herself of Ghanaian and Scottish parentage. The series is called 'Zabat' and shows each woman as one of the nine Greek muses. The model here, Abiola Agana, is represented as Melpomene, the muse of tragedy, often depicted holding a knife or club in one hand and the tragic mask in the other.

Maud Sulter produced the Zabat series for Rochdale Art Gallery in 1989, the 150th anniversary of the invention of photography. It was a direct response to the lack of a black presence at other celebratory events and exhibitions. Here we see the conventions of Victorian portrait photography under the command of a black woman photographer. The backdrop, props and pose are all retained but the image is transformed with African clothes, non-European objects and, most importantly, by the resolute black woman at its centre.

The title 'Zabat' also signifies Maud Sulter's call for a repositioning of black women in the history of photography: the word describes an ancient ritual dance performed by women on occasions of power.

Physical description

Photograph of Abiola Agana represented as Melpomene, the muse of tragedy. She has a knife in one hand and a leopard skin over her shoulder.

Place of Origin

Great Britain (probably, photographed)

Date

1989 (photographed)

Artist/maker

Sulter, Maud, born 1960 - died 2008 (photographer)

Materials and Techniques

Dye destruction print

Dimensions

Height: 128 cm photograph approx, Width: 102 cm photograph approx, Height: 140 cm frame, Width: 116 cm frame, Depth: 4.5 cm frame

Historical context note

Maud Sulter works with photography as well as video and installation. Amongst her recent projects has been a series of allegorical portraits of contemporary black women which used conventional studio techniques along with the trappings of historical displays. Sulter also uses a variety of conventions from portraiture - from 18th century costume to heavy Victorian frames. The contrast between these anachronistic and aristocratic styles and the actual histories of her sitters is used to poetic effect and also raises questions about the nature of 'national' heritage.

Descriptive line

'Melpomene' (Abiola Agana), dye destruction print, Zabat series, Maud Sulter, 1989

Bibliographic References (Citation, Note/Abstract, NAL no)

Katy Barron, Looking In. Photographic Portraits by Maud Sulter and Chan-Hyo Bae. London: Ben Uri Gallery, 2013. ISBN: 978-0-900157-42-4.

Subjects depicted

Club; Woman

Categories

Photographs; Black History; Portraits

Collection

Prints, Drawings & Paintings Collection

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