Mancha thumbnail 1
Not currently on display at the V&A

Mancha

Sample Card Set
1959 (designed and made)
Artist/Maker
Place of origin

The sample book in the lower left of the picture contains different colourways of the same textile and comes from the archive of Zika Ascher. Ascher was an innovative textile manufacturer who based himself in London after the annexation of his home country of Czechoslovakia in 1939. His wife designed textiles and their company became incorporated in 1942 (Ascher Ltd). Ascher developed a range of different fabrics for use at the top end of the fashion market. He used samples such as these to show prospective clients his wares, and as a record of his output.

After the Second World War in Europe, couturiers used novel lightweight mixes of wool, mohair and nylon for winter coats and dresses. They favoured screen-printed rayons and silks for summer day wear and shot organza for cocktail and evening dresses. Ascher broke into Paris couture in the late 1940s, establishing an office in that city.


Object details

Categories
Object type
TitleMancha
Materials and techniques
Woven chenille
Brief description
Sample card of woven chenille dress fabric 'Mancha', made for Ascher Ltd., Great Britain, 1959
Physical description
Sample card of woven chenille dress fabric.
Dimensions
  • Width: 32cm
  • Length: 24cm
Production typeMass produced
Marks and inscriptions
'Ascher' (The page of the sample book is printed with the name of the firm and its addresses)
Credit line
Given by Zika Ascher
Production
Attribution note: A fairly exclusive fabric, launched through couture but then sold wholesale
Summary
The sample book in the lower left of the picture contains different colourways of the same textile and comes from the archive of Zika Ascher. Ascher was an innovative textile manufacturer who based himself in London after the annexation of his home country of Czechoslovakia in 1939. His wife designed textiles and their company became incorporated in 1942 (Ascher Ltd). Ascher developed a range of different fabrics for use at the top end of the fashion market. He used samples such as these to show prospective clients his wares, and as a record of his output.

After the Second World War in Europe, couturiers used novel lightweight mixes of wool, mohair and nylon for winter coats and dresses. They favoured screen-printed rayons and silks for summer day wear and shot organza for cocktail and evening dresses. Ascher broke into Paris couture in the late 1940s, establishing an office in that city.
Bibliographic reference
Miller, Lesley Ellis. 'Perfect Harmony' In: Wilcox Claire, ed. The Golden Age of Couture: Paris and London 1947-1957. London: V&A Publishing, 2007, p. 125.
Collection
Accession number
T.203-1988

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Record createdApril 20, 2007
Record URL
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