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Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 7, The Sheikha Amna Bint Mohammed Al Thani Gallery

The Trumpeter

Oil Painting
1654 (painted)
Artist/Maker
Place of origin

A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire. Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders.


Object details

Categories
Object type
TitleThe Trumpeter (generic title)
Materials and techniques
Oil on oak panel
Brief description
Oil painting, 'The Trumpeter', Anthonie Palamedesz., 1654
Physical description
A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire
Dimensions
  • Height: 36.7cm (estimate) (Note: Taken from Catalogue of Foreign Paintings, I. Before 1800, C.M. Kauffmann, Victoria and Albert Museum, London, 1973)
  • Width: 48cm (estimate) (Note: Taken from Catalogue of Foreign Paintings, I. Before 1800, C.M. Kauffmann, Victoria and Albert Museum, London, 1973)
  • Frame height: 472mm
  • Frame width: 590mm
  • Frame depth: 64mm
Frame dimensions measured for Europe 1600-1800
Style
Marks and inscriptions
'A. Palamedes, 1654' (Signed and dated by the artist, lower left)
Gallery label
The Trumpeter 1654 Dutch painters often depicted scenes of military life off the battlefield. Their soldiers were sometimes comical figures, but here there is an element of sadness. A trumpeter, dressed in a blue sash and buff coat, sounds the clarion call for his troop to move on. The musketeer dressing behind him looks towards the woman and child he is about to leave. Dutch Republic, now the Netherlands (Delft) By Anthonie Palamedesz Oil on panel Bequeathed by Rev. Chauncey Hare Townshend(09.12.2015)
Credit line
Bequeathed by Rev., Chauncey Hare Townshend
Object history
Bequeathed by Rev. Chauncey Hare Townshend, 1868

Historical significance: Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders.
Historical context
Genre paintings such as this often represented the lower classes of society, especially peasants, but as the decades progressed such pictures evolved to included more elevated classes and became especially popular in Holland in the the 17th century. These pictures often depict scenes of everyday life set in domestic interiors or in the countryside. Scholars continue to debate whether they bear a metaphorical meaning and hidden messages, or just feature a close depiction of contemporary events. In both case they are associated with health, pleasure and liberty.
Subject depicted
Summary
A Dutch army trumpeter blows his horn while the men and women around him, seemingly oblivious, continue to go about their business, dressing, smoking and warming themselves by the fire. Anthonie [Stevers] Palamedes, (b Delft, 1601; d Amsterdam, 1673) was a Dutch painter. His teacher is unknown, but he may have studied in Delft with the court painter Michiel van Mierevelt and/or Hendrik Pot, who was in the city in 1620. Palamedes joined the Delft Guild of St Luke in 1621. In 1673 Anthonie was residing in Amsterdam, probably with his eldest son, the painter Palamedes Palamedes II. Anthonie was a genre, portrait and still-life painter but is best known for his paintings depicting musical or merry companies and soldiers. Such works attest to his knowledge of contemporary genre paintings by Haarlem and Amsterdam artists, such as Dirck Hals, Pieter Codde, Willem Duyster and Hendrik Pot. In the 1640s and 1650s Palamedesz. often painted guardroom scenes and soldiers with their camp followers in stables, adopting compositions recalling designs by Duyster and Jacob Duck but executed in a looser, less refined technique. Palamedes painted several different composition depicting a trumpeter with a clarion flag hung from his instrument. The trumpeter's task in the Dutch army was to alert all the soldiers in the guardroom (cortegaard) to march out of the military unit following a commander's orders.
Bibliographic references
  • Kauffmann, C.M. Catalogue of Foreign Paintings, I. Before 1800. London: Victoria and Albert Museum, 1973, p. 211, cat. no. 265
  • Waagen, Galleries and Cabinets of Art in Great Britain: Being an account of more than forty collections of Paintings, Drawings, Sculptures, Mss, etc, London, 1857, p.180.
  • Masters of Seventeenth-century Dutch Genre Painting (exh. cat. by P. C. Sutton, Philadelphia, PA, Mus. A.; Berlin, Gemäldegal.; London, RA; 1984), pp. 292–3
Collection
Accession number
1350-1869

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Record createdMarch 21, 2007
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