Chair One
Chair
2002 (designed), 2006 (manufactured)
2002 (designed), 2006 (manufactured)
| Artist/Maker | |
| Place of origin |
The significance of Chair One derives from its striking linear form, the product of a logical examination of the necessary structure for a chair, reduced to its minimum elements. It is like a two-dimensional drawing of a chair, rendered into three dimensions. The angular, graphic aesthetic, like a wire-frame drawing, was quite new in the early 2000s and in part arose from the use of CAD (computer aided design). With Chair One the designer Konstantin Grcic introduced a new paradigm into the design vocabulary of contemporary furniture, that of the crystal or fractal, and influenced many other designers. Chair One was originally intended primarily as public outdoor seating and spawned a whole family of variants including beam seating and outdoor chairs on concrete cone bases.
Object details
| Category | |
| Object type | |
| Title | Chair One (assigned by artist) |
| Materials and techniques | Cast and extruded aluminium |
| Brief description | Chair One, cast and extruded aluminium, painted red; designed by Konstantin Grcic, 2002, manufactured by Magis, Italy, 2006 |
| Physical description | Chair with oblong section brushed aluminium feet terminating with grey plastic inserted feet, supporting a red painted cast aluminium one-piece seat and back in the form of an open lattice. |
| Dimensions |
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| Production type | Mass produced |
| Marks and inscriptions |
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| Gallery label |
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| Credit line | Given by the manufacturer |
| Object history | A prototype of this chair was displayed in the V&A Exhibition 'Milan in a Van', 2002. This example was acquired at the same time as ten black examples were given by Magis for use in the Directors Dining Room. |
| Summary | The significance of Chair One derives from its striking linear form, the product of a logical examination of the necessary structure for a chair, reduced to its minimum elements. It is like a two-dimensional drawing of a chair, rendered into three dimensions. The angular, graphic aesthetic, like a wire-frame drawing, was quite new in the early 2000s and in part arose from the use of CAD (computer aided design). With Chair One the designer Konstantin Grcic introduced a new paradigm into the design vocabulary of contemporary furniture, that of the crystal or fractal, and influenced many other designers. Chair One was originally intended primarily as public outdoor seating and spawned a whole family of variants including beam seating and outdoor chairs on concrete cone bases. |
| Bibliographic references |
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| Collection | |
| Accession number | W.6-2007 |
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| Record created | March 13, 2007 |
| Record URL |
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