Like many designers, Messel was fascinated by costume and crafts. He collected items not particularly because he was researching for a specific production, but simply because they took his fancy. He amassed a collection of hats and headdresses, including several bridal wreaths. Although in materials and style this wedding headdress relates to some of the East European examples in his collection, it is more stylish, incorporating, almost hidden among the tiny white flowers, a row of subtle wax blossoms edged with green leaves, which adds a touch of sophistication to the simplicity.

Oliver Messel (1904-1978) was Britain's leading theatre designer from the early 1930s to the mid 1950s, working in every aspect of entertainment - ballet, drama, film, musical, opera and revue - as well as in interior decoration and textile design. His lavish, painterly and romantic designs informed by period styles, were perfectly in tune with his times and earned him an international reputation. By 1960, however, Messel's style had become unfashionable, having no sympathy with the new 'kitchen sink' school of theatre. He increasingly concentrated on his non-theatrical painting and designing and eventually retired to the Caribbean, where he began a new career designing and building highly idiosyncratic luxury villas.