Policromia
Design
21st century (made)
21st century (made)
Artist/Maker | |
Place of origin |
Born in 1949, James Rivière began his journey as a designer early, participating in competitions at the Triennale di Milano (a design and art museum in Milan) where he won competitions for jewellery designs in 1972 and 1973. He also participated in the establishment of the jewellery department at "Istituto Europeo di Design" in Milan, where he still teaches.
Rivière believes jewellery should be timeless, however, he follows contemporary styles, using strong colours taken from the Mediterranean culture: blue, orange, yellow, red. In some collections he is influenced by the modern movement of the Bauhaus, in others by symbolism and peoples of the past or by the abstract meaning of geometric shapes.
Rivière believes jewellery should be timeless, however, he follows contemporary styles, using strong colours taken from the Mediterranean culture: blue, orange, yellow, red. In some collections he is influenced by the modern movement of the Bauhaus, in others by symbolism and peoples of the past or by the abstract meaning of geometric shapes.
Object details
Categories | |
Object type | |
Title | Policromia (assigned by artist) |
Materials and techniques | Drawn on paper with pencil and coloured with pencil and felt tip pen |
Brief description | James Riviere; design for jewellery, 21st century |
Physical description | Drawing of a multi-coloured braclet on white paper. |
Dimensions |
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Marks and inscriptions | James Riviere
|
Credit line | Given by James Rivière |
Summary | Born in 1949, James Rivière began his journey as a designer early, participating in competitions at the Triennale di Milano (a design and art museum in Milan) where he won competitions for jewellery designs in 1972 and 1973. He also participated in the establishment of the jewellery department at "Istituto Europeo di Design" in Milan, where he still teaches. Rivière believes jewellery should be timeless, however, he follows contemporary styles, using strong colours taken from the Mediterranean culture: blue, orange, yellow, red. In some collections he is influenced by the modern movement of the Bauhaus, in others by symbolism and peoples of the past or by the abstract meaning of geometric shapes. |
Collection | |
Accession number | E.749-2015 |
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Record created | December 22, 2015 |
Record URL |
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