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Cup and Cover thumbnail 2
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Cup and Cover

after 1571 (made)
Artist/Maker
Place of origin

Coconuts had been prized by wealthy European collectors since the eighth century. Originally imported from the south-western coast of the Indian subcontinent by Arab and Jewish traders, by the sixteenth century Spanish and Portuguese merchants were shipping coconuts to Europe from Central and South America as well. This cup was made for Antoine Kalbermatter, royal magistrate of the Swiss canton of Valais and an important member of his province's ruling élite. Drinking vessels were often presented as commemorative gifts and the plaque on the lid, which combines Antoine's arms with those of his second wife, may celebrate his marriage in 1571.


Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Cup
  • Lid
Materials and techniques
Coconut shell, silver, parcel-gilt, enamel
Brief description
Coconut, with silver and enamelled mounts; Switzerland, 1571, unidentified maker's mark IA
Physical description
Coconut shell mounted in silver, parcel gilt. On the cover is a medallion of enamelled arms, and on the stem three other enamelled shields. Surmounted by a figure, possibly St Maur or John the Baptist.
Dimensions
  • Height: 25.4cm
  • Width: 127cm
Marks and inscriptions
  • Maker's mark I A, the letters separated by a pellet and enclosed in a rectangular punch. (Mark appears on the rim of the cup mount and on the underside of the cup foot. No marks on the mounts of the lid; no assay marks.)
  • Coat of arms on the lid: The arms of Kalbermatten and In Albon. (The identification of all the heraldry in de Wolff (1963), pp. 276-7 and plate 2.)
  • Coat of arms on foot (immediately below impaled arms on lid): Arms of Riedmatten family, a sable trefoil on a field of gules and two six-pointed stars or in chief. (Kalbermatter was descended from the Riedmatten family on his mother's side.)
  • Arms on foot (to right of those immediately below arms on lid): Arms of Platéa family: argent fleur-de-lys on a field gules. (Kalbermatter was father-in-law to a member of the Platéa family, who had married his daughter Catherine.)
  • Arms on foot (to the left of arms immediately below arms on lid): Arms of Zum Thuren family: quartered, first and fourth quarter gules with crenellated tower in azure and argent; in second and third quarters argent field with ring-shaped family device. (The Zum Thurens were a branch of the numerous Kalbermatten family from Viège)
Gallery label
  • Cup and Cover. Cocoa-nut, plain rough surface, mounted in silver, parcel gilt, three upright bands with indented edges, chased scroll belt and foot, surmounted by a Roman warrior; on the cover is a medallion of enamelled arms, and on the stem three other shields. German. About 1530. H. 10 in., diam. 5 in. Bought (Bernal coll.), 40l.(1855)
  • Coconut cup. Maker's mark I.A. German? Height 25.4 cm, diameter 12.7 cm.(1963)
  • Coconut cup and cover Coconut, with silver mounts and set with enamelled medallions SWISS; about 1571 2118-1855 Coconut shells mounted in precious metals as drinking vessels were regarded as appropriate items for the "cabinet" as coconuts were still considered exotic rareties at this date. This example bears the arms of Antoine Kalbermatter and his wife of Sion, Switzerland, and may have been made on the occasion of their marriage in 1571.(1980s)
  • COCONUT CUP AND COVER Mounted in silver, parcel-gilt Maker's mark I.A Arms of Antoine de Kalbermatten, grand bailli of Valais, with those of his wife Anna In Albon, and the arms of Zun Thuren and Platea. Swiss: 1571-2
Object history
The maker's mark I A, separated by a pellet and in a rectangular punch, is not listed in Rosenberg (1928), vol. IV, or in de Vevey (1985) as a Swiss goldsmith. de Wolff (1963), who was unable to handle the cup, speculated the mark may in fact be 'PA' and therefore the work of Sion goldsmith Peter Anthamatten (de Wolff: 1963, p.277 and his suggestion followed by Fritz: 1983, p. 108). De Wolff also wondered whether the initials in the mark belonged to a German goldsmith, though he offered no possible makers and the mark is not recorded in Rosenberg (1911).
The arms on the cup indicate it was commissioned for commemorative purposes and it was probably a gift to Antoine Kalbermatter of Sion, whose arms and those of his relations appear on the lid and foot. Kalbermatter was the son of Jean Kalbermatter, châtelain (steward) of Hérens and of Antonia de Riedmatten, daughter of Bishop Adrian I of Riedmatten. He studied at Paris (1532-35), and enjoyed a successful career in the world of Valais diplomacy and administration. He represented the canton of Valais at the 1563 Diet (council) at Baden and in 1566-57 he was elected to the highest administrative post in the region, that of royal magistrate or grand bailli, a post he was returned to in 1569 and again in 1571. He married first in 1551 (the marriage produced two daughters) and again in 1571. He died at the end of the following year, in 1572 (de Wolff: 1963, pp. 276-7). Antoine Kalbermatter's contemporaries described him as 'a man who from his youth had served his country well'. Kalbermatter himself seems to have been something of a bon viveur as well as a patriot. He once apparently observed that 'long live Prafalcon [a wine-growing district in the canton] where good wine is cultivated. Without good wine, nothing is done in the world' ('vivat Prafalcon ubi crescit bonum vinum. Sine bono vino, factum est nihil in mundo': cited in de Wolff (1963), p. 277).
This cup may have been presented to him to celebrate his second marriage to Anna In Albon in 1571, or perhaps to mark the second occasion of his election to the highest administrative position in the canton, that of royal magistrate (bailli), in the same year.
The Museum purchased the cup for £40 at the 1855 sale of the collection belonging to Ralph Bernal.

Historical significance: This is a good example of a type of mounted vessel which became increasingly common in wealthy households towards the end of the sixteenth century.
Historical context
Although still costly in the late sixteenth century, when this cup was mounted, coconuts had been imported into Europe since the eighth century. The frequent documentary references to them in wills and inventories suggests they arrived in considerable numbers. Marco Polo referred to the trade in around 1300, appropriately describing the coconuts as 'Indian nuts' because at this early date, they came from the Sunda Islands in the Malay archipelago and the Malabar coast (the south-western coast of the Indian subcontinent). From there they were shipped to Aden and thence by land to Egypt, eventually arriving in Alexandria or Tripoli where they were bought by Venetian or Genoese merchants. As the fifteenth century progressed, Lisbon became another centre for the trade, as they were imported by Portuguese merchants and sailors travelling down the African coast and round to India. During the sixteenth century, coconuts from the Spanish and Portuguese colonies in the Americas also began to arrive in Europe. Mounted coconuts were particularly fashionable in England, as evinced by the high proportion of surviving examples as well as by references to them in inventories and wills, but significant numbers are also preserved in Switzerland, Austria and South Germany.
All sorts of health-giving properties are ascribed to the milk and flesh of coconuts. Marco Polo praised coconut milk as a panacea and the Arab historian Ibn Batuta noted its medicinal and aphrodisiac properties in the fourteenth century. In a work published in 1557, the physician and herbalist Adam Lonicerus recommended the coconut as a remedy for bladder complaints, pains in the hip joints and lethargy. By 1611, coconuts were also said to cure gout. Coconut shells, like serpentine cups and unicorn horns, were believed to be effective against poison.
Coconuts were frequently mounted as cups, particularly in the second half of the sixteenth century when they began to appear amongst the possessions of wealthy townsmen and merchants as well as those of princes and nobles. These cup mounts could be quite elaborate, transforming the nut into a bird or animal. Coconuts also appeared in church treasuries, as chalices and as caskets for reliquaries. Coconut cups were used in institutional ceremonies: in England, a number of coconut guild cups have survived. The inside of coconut cups was often coated with a turpentine-based resin coloured yellow, black or red, to protect the nut from the acid effect of wine. An expensive alternative was to line the inside of the cup with gilded silver (Fritz: 1983, p. 45). There is no silver lining, or trace of resin, inside this cup. Although this does not preclude the fact the cup was used, the hole in the base of the bowl suggest some form of lining would have been necessary were it to have contained liquid. (There is also a hole in the nut at the dome of the lid.) The hinge and catch are later and suggest it was used at a later date as a casket. It may have become a sugar bowl, the fate of one coconut cup owned by the eighteenth-century English wood-engraver Thomas Bewick: 'In ordinary use at the tea-table was a carved cocoa-nut cup or sugar basin, mounted in silver and inscribed on the rim, "Thomas Bewick, Newcastle, 1779." It was the first article bought before he began housekeeping' (Robinson: 1887, p. 212).
Summary
Coconuts had been prized by wealthy European collectors since the eighth century. Originally imported from the south-western coast of the Indian subcontinent by Arab and Jewish traders, by the sixteenth century Spanish and Portuguese merchants were shipping coconuts to Europe from Central and South America as well. This cup was made for Antoine Kalbermatter, royal magistrate of the Swiss canton of Valais and an important member of his province's ruling élite. Drinking vessels were often presented as commemorative gifts and the plaque on the lid, which combines Antoine's arms with those of his second wife, may celebrate his marriage in 1571.
Bibliographic references
  • de Wolff, Albert. Un hanap du Valais au Victoria and Albert Museum de Londres. In: Vallesia: Bulletin annuel de la Bibliothèque et des Archives cantonales du Valais, des Museés de Valère et de la Majorie, 18 (1963), pp.275-278
  • Hunt, Tristram and Victoria Whitfield, Art Treasures in Manchester: 150 Years On, Manchester: Philip Wilson Publishers, 2007
  • Fritz, Rolf. Die Gefässe aus Kokonuss in Mitteleuropa 1250-1800. Mainz am Rhein: Philipp von Zabern, 1983. ISBN 380530739X
  • de Vevey, François-Pierre. Manuel des orfèvres de Suisse romande: Biographies, poinçons, oeuvres. Fribourg: Sotheby's / Office du Livre, 1985. ISBN 2826400339
  • Rosenberg, Marc. Der Goldschmiede Merkzeichen. Frankfurt am Main, Frankfurter Verlags-Anstalt a.-g., 1922-28, 4 vols, IV: Ausland und Byzans.
  • Robinson, Robert. Thomas Bewick; his Life and Times. Newcastle: The author, 1887.
  • Catalogue of the Art Treasures of the United Kingdom : collected at Manchester in 1857
Collection
Accession number
2118:1, 2-1855

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Record createdFebruary 20, 2007
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