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Not currently on display at the V&A

Kimono

1930 - 1960 (made)
Artist/Maker
Place of origin

This unusual garment seems to have been constructed from what would have been the first stage in the production of a kimono, when the sections are temporarily assembled and the design drawn on in ink. Normally the garment would have then been unstitched and the individual panels dyed and/or embroidered with the design before the kimono was finally re-assembled. For some reason, this did not happen with this garment. Instead the pieces were saved, or possibly salvaged, and a lining and new overlap were added. The fact that the overlap and the bottom part of the kimono are additions to the original suggest the latter was perhaps damaged. Some of the motifs - of flowers by water’s edge or behind clouds, fences and thatched buildings – on the lower part have been lost.


Object details

Categories
Object type
Materials and techniques
Plain-weave silk, hand-painted in ink
Brief description
Tex, Japan, hand-painted. Kimono for a woman, hand-painted with vignettes of flowers and thatched buildings; Shōwa period
Physical description
Kimono for a woman, plain-weave undyed cream silk, hand-painted with vignettes of flowers by the water’s edge or behind clouds, fences and thatched buildings. Each small scene is different. Overlap section and lining of plain-weave pongee silk. The bottom part of the kimono is a separate section of plain-weave silk.
Dimensions
  • Length: 148.5cm
  • Width: 120cm
Credit line
Given by Janice Thorburn
Summary
This unusual garment seems to have been constructed from what would have been the first stage in the production of a kimono, when the sections are temporarily assembled and the design drawn on in ink. Normally the garment would have then been unstitched and the individual panels dyed and/or embroidered with the design before the kimono was finally re-assembled. For some reason, this did not happen with this garment. Instead the pieces were saved, or possibly salvaged, and a lining and new overlap were added. The fact that the overlap and the bottom part of the kimono are additions to the original suggest the latter was perhaps damaged. Some of the motifs - of flowers by water’s edge or behind clouds, fences and thatched buildings – on the lower part have been lost.
Collection
Accession number
FE.57-2015

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Record createdAugust 11, 2015
Record URL
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