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Chariots of Fire

Costume
ca. 1981 (made)
Artist/Maker
Place of origin

Costume worn by Ben Cross in Chariots of Fire, designed by Milena Canonero, 1981.

Inspired by the true story of Eric Liddell and Harold Abrahams competing in the 1924 Olympics, Chariots of Fire was one of the most influential British films of the 1980s. Designer Milena Canonero won her second Academy Award for her costumes and the designs had an enormous influence on fashion. Menswear designers, including Ralph Lauren, introduced clothes that echoed the nostalgic British tailoring: tweeds, draped jackets and argyle sweaters became popular after the film was released. Canonero maintains costume design has little to do with fashion: ‘it was a wonderful lucky stroke. We're working on a movie, we're not thinking of fashion headlines. Sometimes it clicks with fashion. When that happens, you feel great.’

The British Film Institute (BFI) acquired its costume collection for display at the Museum of the Moving Image, which existed on the South Bank in London between 1988 and 1999. The collection is made up of British, European, American and Japanese films and covers the period from the silent film era to the mid-1990s. It contains a wealth of historic and significant film costumes worn by major performers and designed by some of the 20th century’s most important film costume designers. The collection was transferred to the V&A in 2015.


Object details

Categories
Object type
Parts
This object consists of 9 parts.
(Some alternative part names are also shown below)
  • Film Costumes
  • Blazer
  • Film Costumes
  • Shirts
  • Film Costumes
  • Shorts
  • Film Costumes
  • Neckties
  • Film Costumes
  • Collars
  • Film Costumes
  • Collars
  • Film Costumes
  • Shoes
  • Film Costumes
  • Shoes
  • Film Costumes
  • Boaters
TitleChariots of Fire (generic title)
Brief description
Costume worn by Ben Cross in Chariots of Fire, designed by Milena Canonero, 1981
Physical description
Costume worn by Ben Cross in Chariots of Fire, designed by Milena Canonero, 1981.
Dimensions
  • Shirt width width: 45cm
  • Shirt length length: 78cm
  • Shorts length length: 42cm
  • Shorts width width: 45cm
  • Blazer neckline to hem ( laid flat) length: 66cm
  • Blazer neckline ( laid flat) width: 10.5cm
  • Blazer width at widest point ( laid flat) width: 67.5cm
  • Blazer chest ( laid flat) width: 43cm
  • Blazer boxed weight weight: 2.60kg
  • Necktie ( laid flat) length: 131cm
  • Necktie ( laid flat) width: 5cm
  • Collar ( laid flat, part 5) length: 13cm
  • Collar ( laid flat, part 5) width: 10.5cm
  • Collar ( laid flat, part 6) length: 15cm
  • Collar ( laid flat, part 6) width: 12cm
  • Necktie and collars boxed weight weight: .45kg
  • Right shoe heel to toe length: 28cm
  • Right shoe width at widest point width: 10cm
  • Left shoe heel to toe length: 28cm
  • Left shoe heel to toe width: 10cm
  • Shoes boxed weight weight: 0.85kg
  • Boater hat outer rim length: 31.5cm
  • Boater hat outer rim width: 28.3cm
  • Boater hat inner rim length: 19.5cm
  • Boater hat inner rim width: 15.5cm
  • Boater hat height: 10cm
  • Boater hat outer circumference circumference: 97cm
  • Boater hat inner circumference circumference: 55.5cm
  • Boater hat boxed weight weight: 1.80kg
Credit line
Given by the British Film Institute
Summary
Costume worn by Ben Cross in Chariots of Fire, designed by Milena Canonero, 1981.

Inspired by the true story of Eric Liddell and Harold Abrahams competing in the 1924 Olympics, Chariots of Fire was one of the most influential British films of the 1980s. Designer Milena Canonero won her second Academy Award for her costumes and the designs had an enormous influence on fashion. Menswear designers, including Ralph Lauren, introduced clothes that echoed the nostalgic British tailoring: tweeds, draped jackets and argyle sweaters became popular after the film was released. Canonero maintains costume design has little to do with fashion: ‘it was a wonderful lucky stroke. We're working on a movie, we're not thinking of fashion headlines. Sometimes it clicks with fashion. When that happens, you feel great.’

The British Film Institute (BFI) acquired its costume collection for display at the Museum of the Moving Image, which existed on the South Bank in London between 1988 and 1999. The collection is made up of British, European, American and Japanese films and covers the period from the silent film era to the mid-1990s. It contains a wealth of historic and significant film costumes worn by major performers and designed by some of the 20th century’s most important film costume designers. The collection was transferred to the V&A in 2015.
Collection
Accession number
S.1673:1 to 9-2015

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Record createdMay 29, 2015
Record URL
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