Ensemble
2012 (designed)
Artist/Maker | |
Place of origin |
Belgian fashion designer Dries van Noten first came to prominence in the late 1980s as one of a group of designers referred to as ‘the Antwerp Six’. (These designers were all graduates of the Antwerp Royal Academy of Fine Arts who first received acclaim when they came together to show their collections in London in 1986). Whilst the work of his contemporaries and indeed Belgian fashion in general, is often seen as dark and experimental, Van Noten’s work stands apart with its use of colours, embroideries, prints and wearable shapes. His designs are known for their layered combinations of mismatched prints and unusual colourways. Dries van Noten’s business is an unusual model within the fashion world as the company is entirely self-financed and does not use advertising, his success is due to the strength of his unique design aesthetic which has garnered a strong following
As part of his research for his Autumn/Winter 2012 collection, Van Noten came to the V&A to look at Chinese, Japanese and Korean textiles and garments held in the Asia department. Motifs and details of the textiles were then incorporated into his new collection, reworked as prints in different scales with abstracted settings and placements. Presented in Paris fashion week in February 2012, the accompanying show notes referred to the designer’s research at the V&A. Fashion journalist Tim Blanks commented on the collection, ‘Dries has a habit of pulling off such special effects, where an enormous amount of research yields a result that appears gracefully effortless’ .
As part of his research for his Autumn/Winter 2012 collection, Van Noten came to the V&A to look at Chinese, Japanese and Korean textiles and garments held in the Asia department. Motifs and details of the textiles were then incorporated into his new collection, reworked as prints in different scales with abstracted settings and placements. Presented in Paris fashion week in February 2012, the accompanying show notes referred to the designer’s research at the V&A. Fashion journalist Tim Blanks commented on the collection, ‘Dries has a habit of pulling off such special effects, where an enormous amount of research yields a result that appears gracefully effortless’ .
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
|
Materials and techniques | printed wool and silk |
Brief description | Ensemble, printed wool blazer and printed silk dress, Dries Van Noten, look21, A/W 2012 |
Physical description | Cream wool blazer and black silk dress both printed with motifs from Chinese embroidered robes. |
Dimensions |
|
Credit line | Given by Dries Van Noten |
Summary | Belgian fashion designer Dries van Noten first came to prominence in the late 1980s as one of a group of designers referred to as ‘the Antwerp Six’. (These designers were all graduates of the Antwerp Royal Academy of Fine Arts who first received acclaim when they came together to show their collections in London in 1986). Whilst the work of his contemporaries and indeed Belgian fashion in general, is often seen as dark and experimental, Van Noten’s work stands apart with its use of colours, embroideries, prints and wearable shapes. His designs are known for their layered combinations of mismatched prints and unusual colourways. Dries van Noten’s business is an unusual model within the fashion world as the company is entirely self-financed and does not use advertising, his success is due to the strength of his unique design aesthetic which has garnered a strong following As part of his research for his Autumn/Winter 2012 collection, Van Noten came to the V&A to look at Chinese, Japanese and Korean textiles and garments held in the Asia department. Motifs and details of the textiles were then incorporated into his new collection, reworked as prints in different scales with abstracted settings and placements. Presented in Paris fashion week in February 2012, the accompanying show notes referred to the designer’s research at the V&A. Fashion journalist Tim Blanks commented on the collection, ‘Dries has a habit of pulling off such special effects, where an enormous amount of research yields a result that appears gracefully effortless’ . |
Collection | |
Accession number | T.69:1,2-2014 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | May 11, 2015 |
Record URL |
Download as: JSON