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Idyls of the Norfolk Broads

Photograph
1887 (published)
Artist/Maker
Place of origin

This 1887 portfolio is a poetic portrayal of East Norfolk. Emerson depicts the region as an ‘earthly paradise’ that is in harmony with the changing seasons; from the pleasure of men contemplating the forthcoming harvest in Spring, to the silence of landscape in the snowy Winter, viewers can experience the peacefulness of pastoral life for themselves.
Emerson was particularly rigorous about printing processes and technical excellence. He favoured a photomechanical process called photogravure (or what he also referred to as ‘autogravure’, ‘copper plate engraving’ and ‘photo-etching’) for its ‘subtlety and delicacy’.
He describes the 12 images within this portfolio as ‘printed from copper plates’ reproduced from his original negatives that were ‘taken directly from Nature’ – being faithful to what the lens had captured rather than creating artificial composites in the studio or dark room. He also specifies that in the process of reproduction ‘no retouching has marred the subtleties of Nature’s handiwork’.

This image depicts a marsh scene, heated by a midday sun that produces a dreamy atmosphere. Emerson wrote: ‘The rich dark browns and greens of the grasses, the bright blue of the water, the fresh greens of the newly-cropped marshes, and the low-toned reds of the farm buildings, all help to produce a soothing sensation, and act on us like a charm’.


Object details

Category
Object type
Titles
  • Idyls of the Norfolk Broads (series title)
  • Noontide on the Pastures (assigned by artist)
Materials and techniques
photogravure
Brief description
Photograph, 'Noontide on the Pastures', by Peter Henry Emerson, photogravure, Plate 3, from the 'Idyls of the Norfolk Broads' portfolio, 1887
Physical description
A mounted black and white photograph on India paper showing
Dimensions
  • Image height: 14.3cm
  • Image width: 25.1cm
  • Paper height: 34cm
  • Paper width: 43.3cm
Styles
Credit line
Presented by P.H. Emerson on 27 March, 1888
Subjects depicted
Summary
This 1887 portfolio is a poetic portrayal of East Norfolk. Emerson depicts the region as an ‘earthly paradise’ that is in harmony with the changing seasons; from the pleasure of men contemplating the forthcoming harvest in Spring, to the silence of landscape in the snowy Winter, viewers can experience the peacefulness of pastoral life for themselves.
Emerson was particularly rigorous about printing processes and technical excellence. He favoured a photomechanical process called photogravure (or what he also referred to as ‘autogravure’, ‘copper plate engraving’ and ‘photo-etching’) for its ‘subtlety and delicacy’.
He describes the 12 images within this portfolio as ‘printed from copper plates’ reproduced from his original negatives that were ‘taken directly from Nature’ – being faithful to what the lens had captured rather than creating artificial composites in the studio or dark room. He also specifies that in the process of reproduction ‘no retouching has marred the subtleties of Nature’s handiwork’.

This image depicts a marsh scene, heated by a midday sun that produces a dreamy atmosphere. Emerson wrote: ‘The rich dark browns and greens of the grasses, the bright blue of the water, the fresh greens of the newly-cropped marshes, and the low-toned reds of the farm buildings, all help to produce a soothing sensation, and act on us like a charm’.
Associated object
E.153-2015 (Version)
Bibliographic reference
John Taylor The old order and the new: P H Emerson and photography, 1885-1895 Munich; New York; London: Prestel, 2006. 160p.: ill (some col). ISBN: 3791336991 / 9783791336992.
Collection
Accession number
E.153-2015

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Record createdMay 11, 2015
Record URL
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