Princess Augusta Charlotte with Her Infant Son thumbnail 1
Not currently on display at the V&A

Princess Augusta Charlotte with Her Infant Son

Oil Painting
after 1767 (painted)
Artist/Maker
Place of origin

Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

This painting portrayed the princess Augusta Charlotte (1737-1813), daughter of Frederick Prince of Wales and eldest sister of George III, with her son. It is a copy in reverse of Angelica Kauffmann's portrait executed in 1767 and currently in the Royal collection. This full-length portrait is a fine example of Georgian portraiture based on the so-called "Vandyke manner" essential to British portrait painting in the age of Joshua Reynolds and Thomas Gainsborough.


Object details

Categories
Object type
TitlePrincess Augusta Charlotte with Her Infant Son (generic title)
Materials and techniques
Oil on glass
Brief description
Oil on glass, depicting Princess Augusta Charlotte, the eldest sister of George III, with her infant son, after Angelica Kauffman. Great Britain, after 1767.
Physical description
Full-length portrait of an elegant woman in classical dress resting a child on top of a plinth in a neo-classical interior; a distant landscape seen beyond pillars in the background.
Dimensions
  • Approx. height: 24in
  • Approx. width: 17in
Dimensions taken from departmental object file
Styles
Object history
Purchased, 1946

Historical significance: The composition was engraved in the same sense as the original painting by Jonathan Spilsbury (The National Portrait Gallery, London - NPG D33048, and the British Museum, London - 1917,1208.3440).
The present painting differs from the original composition and prints as the Greek vase in the foreground is missing and the whole setting seems simplified.
Subjects depicted
Summary
Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

This painting portrayed the princess Augusta Charlotte (1737-1813), daughter of Frederick Prince of Wales and eldest sister of George III, with her son. It is a copy in reverse of Angelica Kauffmann's portrait executed in 1767 and currently in the Royal collection. This full-length portrait is a fine example of Georgian portraiture based on the so-called "Vandyke manner" essential to British portrait painting in the age of Joshua Reynolds and Thomas Gainsborough.
Bibliographic reference
Victoria & Albert Museum Department of Engraving Illustration and Design & Department of Paintings, Accessions 1946. London: Published under the Authority of the Ministry of Education, 1949.
Collection
Accession number
P.16-1946

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Record createdFebruary 6, 2007
Record URL
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