L'échafaudage
Photograph
c.1932 (photographed), c.1940 (printed)
c.1932 (photographed), c.1940 (printed)
Artist/Maker | |
Place of origin |
Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.
His depictions of Paris at night present eerie streets, almost resembling a smoky ‘film-noir’ set. In their suggestions of a mysterious underworld, his photographs caught the attention of André Breton and the Surrealists, which led to a ten year association with the group; although, Brassaï was careful to never call himself a Surrealist and maintained that his photographs were objective.
His depictions of Paris at night present eerie streets, almost resembling a smoky ‘film-noir’ set. In their suggestions of a mysterious underworld, his photographs caught the attention of André Breton and the Surrealists, which led to a ten year association with the group; although, Brassaï was careful to never call himself a Surrealist and maintained that his photographs were objective.
Object details
Categories | |
Object type | |
Title | L'échafaudage (assigned by artist) |
Materials and techniques | Cyanotype. The only known example of Brassaï using the cyanotype process. |
Brief description | Photograph by Brassaï, 'L'échafaudage [scaffolding]', c.1932, cyanotype made c.1940 |
Physical description | Blue toned photograph of wooden scaffolding. A white and grey cat sits on the scaffolding structure in the lower half of the image. |
Dimensions |
|
Styles | |
Marks and inscriptions | Recto:
Bottom right, black ink: 'Brassaï' [underlined, signature]
Verso:
Top centre, pencil: 'Brassaï - Paris - / An. 255 / Animaux'
Top right, pencil: '23.5x29.5'
Centre, pencil: 'Tel' [upside down]
Centre, blue ink: '58'
Bottom right, stamped in black ink: 'SUCCESSION / BRASSAÏ / ESTATE'
|
Credit line | Bequest of Gilberte Boyer Brassaï |
Object history | This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer. |
Subjects depicted | |
Summary | Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer. His depictions of Paris at night present eerie streets, almost resembling a smoky ‘film-noir’ set. In their suggestions of a mysterious underworld, his photographs caught the attention of André Breton and the Surrealists, which led to a ten year association with the group; although, Brassaï was careful to never call himself a Surrealist and maintained that his photographs were objective. |
Associated object | |
Bibliographic reference | Brassaï, 1899-1984 (sale catalogue), Paris, France: Drouot-Montaigne, 2006, p305 |
Collection | |
Accession number | E.926-2014 |
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Record created | April 15, 2015 |
Record URL |
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