Sortie du bal à la fermenture
Photograph
c.1932 (photographed)
c.1932 (photographed)
Artist/Maker | |
Place of origin |
Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.
Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.
Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.
Object details
Category | |
Object type | |
Title | Sortie du bal à la fermenture (assigned by artist) |
Materials and techniques | Gelatin silver print |
Brief description | Photograph by Brassaï, 'Sortie du bal à la fermeture' [Leaving the dance hall at closing time], c.1932, gelatin silver print |
Physical description | Black and white photograph depicting a group of people milling around a doorway. The door is open, and decorations can be seen hanging from the ceiling inside. The image was taken at night, so the scene is lit from the lighting inside the buidling. |
Dimensions |
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Styles | |
Marks and inscriptions |
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Credit line | Bequest of Gilberte Boyer Brassaï |
Object history | This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer. |
Subject depicted | |
Summary | Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer. Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s. |
Bibliographic reference | Brassaï, 1899-1984 (sale catalogue), Paris, France: Drouot-Montaigne, 2006, p357 |
Collection | |
Accession number | E.925-2014 |
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Record created | April 15, 2015 |
Record URL |
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