We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.912-2014
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 1050

La balançoire

Photograph
1935-7 (photographed), 1946 (printed)
Artist/Maker
Place of origin

Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.

His depictions of day-time Paris provide a glimpse into the day-to-day life of a Parisian citizen. Whether a couple in an embrace or a view of a park, these photographs feel like a stolen glance into an ordinary, but exciting, place. Brassaï, perhaps in his passion for a new profession and a new city, had an ability to build a dramatic narrative around mundane things, inserting a tangible vitality into his photographs.


Object details

Category
Object type
Titles
  • La balançoire (assigned by artist)
  • Le baiser [the kiss] (alternative title)
  • Kiss on a swing at a street fair (published title)
Materials and techniques
Gelatin silver print. The photograph is mounted to wooden board.
Brief description
Photograph by Brassai, 'La balançoire' [The swing], 1935-7. Printed for exibition in 1946, gelatin silver print mounted on wooden board
Physical description
Black and white photograph of a couple kissing as they travel through the air on a swing. The swing is the shape of a small boat and features a swan's head and plume at either end.
Dimensions
  • Image width: 39.8cm (Note: image, sheet and mount are the same size)
  • Image height: 49.6cm (Note: image, sheet and mount are the same size)
Styles
Marks and inscriptions
Verso: Centre right, black ink: 'BRASSAÏ / 1946' Bottom left, black ink: 'Art.' [?] Bottom right, stamped in black ink: '© Succession Estate BRASSAÏ' Bottom right, stamped in black ink: 'SUCCESSION / BRASSAÏ* / ESTATE' Bottom right, black ink on masking tape: 'LA BALANÇOIRE' Bottom right, black ink on masking tape: 'PP.872 (1946)
Translation
The swing [la balançoire]
Credit line
Bequest of Gilberte Boyer Brassaï
Object history
This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer.
Subjects depicted
Summary
Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.

His depictions of day-time Paris provide a glimpse into the day-to-day life of a Parisian citizen. Whether a couple in an embrace or a view of a park, these photographs feel like a stolen glance into an ordinary, but exciting, place. Brassaï, perhaps in his passion for a new profession and a new city, had an ability to build a dramatic narrative around mundane things, inserting a tangible vitality into his photographs.
Bibliographic references
  • Anne Wilkes Tucker, Brassaï: The Eye of Paris, Houston, TX: The Museum of Fine Arts (1999), plate 119
  • Alain Sayag and Annick Lionel-Marie [ed.s], Brassaï: No Ordinary Eyes, London: Thames & Hudson (2000), p175
Collection
Accession number
E.912-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 15, 2015
Record URL
Download as: JSON