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Couple dans un bistrot, rue Saint Denis

Photograph
c.1931 (photographed)
Artist/Maker
Place of origin

Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.

Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.


Object details

Category
Object type
Titles
  • Couple dans un bistrot, rue Saint Denis (generic title)
  • La dispute, rue Saint Denis [The argument, rue Saint Denis] (alternative title)
  • The Lover's Tiff, Rue Saint Denis (published title)
Materials and techniques
Gelatin silver print
Brief description
Photograph by Brassai, 'Couple dans un bistrot, rue Saint Denis' [couple in a pub, rue Saint Denis], c.1931, gelatin silver print
Physical description
Black and white photograph depicting a man and a woman seated at a table. They are both smoking, and leaning with their elbows on the table. He wears a cap and she has a curl fashioned into her hair. There is a scarf on the table and a mirror on the wall behind them. In the mirror, we can see the reflection of another man in a cap.
Dimensions
  • Image width: 21.9cm
  • Image height: 30.4cm
  • Paper width: 27.5cm
  • Paper height: 35.7cm
Styles
Marks and inscriptions
Recto: Bottom right, black ink: artist's signature, 'Brassaï' Verso: Top left, pencil: '22 x 30,5' Top centre, pencil: 'Page 78A' Top right, pencil: 'PL.17' Centre, pencil: 'Page 68A' Bottom right, pencil: 'No. 51' Bottom right, pencil: 'Pl.17' Bottom right, stamped in black ink: 'SUCCESSION / BRASSAÏ / ESTATE'
Credit line
Bequest of Gilberte Boyer Brassaï
Object history
This object came to the museum as part of a bequest of 99 photographs by Brassaï from his widow, Madame Gilberte Boyer.
Subjects depicted
Place depicted
Summary
Brassaï was born in 1899 as Gyula Halász in the Transylvanian town of Brassó. He grew up in Budapest and spent the early 1920s in Berlin, training as a painter and working as a journalist. He moved to Paris in 1924, where he stayed until his death in 1984. He took up photography in Paris initially to support his written journalism, though he soon committed himself to a solely photographic practice. Brassaï is most well-known for his images of Parisian life, featuring brothels, prostitutes, city streets, architecture and high society alike. His first book, ‘Paris by Night’, was published in 1933 and established his reputation as a serious photographer.

Some of Brassaï’s most iconic images depict the scandalous nightlife in bars and brothels, exposing the city’s debaucherous underbelly. Scenes of prostitution, sexual interactions and nudity are not uncommon and present an almost practical view of the working women. Brassaï also frequented dance halls, depicting performers, ethnic minorities and members of the LGBTQ community. Overall, the indiscriminate scope of Brassaï’s photographs present this previously unseen side of Paris alongside more traditional subject matter such as society functions and opera dancers. His ability to document a complete cross section of society provides an authentic glimpse into Parisian life in the 1930s.
Bibliographic reference
Alain Sayag and Annick Lionel-Marie, Brassaï: No Ordinary Eyes, London: Thames & Hudson (2000), p86
Collection
Accession number
E.904-2014

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Record createdApril 15, 2015
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