Paduan Fireplace
Fireplace
ca. 1510-1530 (made)
ca. 1510-1530 (made)
Artist/Maker | |
Place of origin |
This grand fireplace would have dominated the principal room (sala) used for dining and entertaining. The frieze shows vivid hunting scenes, along with peasants and putti. A fire would have animated the shallow carving on the jambs and underside of the hood, as well as providing heat and light.
The chimneypiece has a Paduan provenance and is stylistically related to one in the Kunsthistorisches Museum in Vienna, which came from Catajo and bears the arms of the Obizzi. The figures and animals are closely comparable with bronzes by Riccio, and the chimneypiece is among the most important surviving examples of Paduan Renaissance stone sculpture.
The chimneypiece has a Paduan provenance and is stylistically related to one in the Kunsthistorisches Museum in Vienna, which came from Catajo and bears the arms of the Obizzi. The figures and animals are closely comparable with bronzes by Riccio, and the chimneypiece is among the most important surviving examples of Paduan Renaissance stone sculpture.
Object details
Category | |
Object type | |
Parts | This object consists of 23 parts.
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Title | Paduan Fireplace (generic title) |
Materials and techniques | Carved tufo |
Brief description | Chimneypiece, carved stone (tufo), style of Andrea Briosco called Il Riccio, Padua, early 16th century |
Physical description | Tufo fireplace carved with hunting scenes. |
Dimensions |
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Object history | Bought from the Soulages Collection in 1865 for £400. |
Subjects depicted | |
Summary | This grand fireplace would have dominated the principal room (sala) used for dining and entertaining. The frieze shows vivid hunting scenes, along with peasants and putti. A fire would have animated the shallow carving on the jambs and underside of the hood, as well as providing heat and light. The chimneypiece has a Paduan provenance and is stylistically related to one in the Kunsthistorisches Museum in Vienna, which came from Catajo and bears the arms of the Obizzi. The figures and animals are closely comparable with bronzes by Riccio, and the chimneypiece is among the most important surviving examples of Paduan Renaissance stone sculpture. |
Bibliographic references |
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Collection | |
Accession number | 655:1-1865 |
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Record created | February 2, 2007 |
Record URL |
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