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Eleanor and Barbara, Chicago

Photograph
1952-3 (made)
Artist/Maker
Place of origin

The tiny figures on the horizon are the photographer's wife and child. Callaghan would often document his family, creating intimate and delicate views of everyday life that were also meticulously crafted and strong in contrast. Although he came to photography relatively late, with no formal training, his work was soon recognised. In 1946 he was invited to teach photography at the Institute of Design in Chicago, the 'New Bauhaus', renowned for its innovative approach to design and education.

Object details

Category
Object type
Titles
  • Eleanor and Barbara, Chicago (assigned by artist)
  • In the distance, with waste paper basket and trees (generic title)
Materials and techniques
Gelatin silver print
Brief description
Photograph by Harry Callahan, 'Eleanor and Barbara, Chicago', 1952-3, gelatin silver print
Physical description
Black and white photograph depicting one woman and a child in the distant background. There are trees and a waste backet in the middle ground. There is snow on the ground.
Dimensions
  • Image height: 195mm
  • Image width: 245mm
  • Sheet height: 203mm
  • Sheet width: 253mm
Marks and inscriptions
D770 F27 (Numbered in pencil on the back.)
Gallery label
(07 03 2014)
Gallery 100, ‘History of photography’, 2011-2012, label text :

Harry Callahan (1912-99)
‘Eleanor and Barbara’, ‘Lake Michigan’, ‘Eleanor and
Barbara, Chicago’, ‘Eleanor and Barbara, Chicago’
1952-3

The tiny figures in these images are the photographer’s
wife and child. Callahan often documented his family,
creating intimate views of everyday life that were
also meticulously crafted and strong in contrast.
In 1946 he was invited to teach photography at the
Institute of Design in Chicago, the ‘New Bauhaus’,
renowned for its innovative approach to design
and education.

Gelatin silver prints
Museum nos. Ph.773 to 776-1987
Summary
The tiny figures on the horizon are the photographer's wife and child. Callaghan would often document his family, creating intimate and delicate views of everyday life that were also meticulously crafted and strong in contrast. Although he came to photography relatively late, with no formal training, his work was soon recognised. In 1946 he was invited to teach photography at the Institute of Design in Chicago, the 'New Bauhaus', renowned for its innovative approach to design and education.
Collection
Accession number
PH.776-1987

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Record createdJanuary 23, 2007
Record URL
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