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Untitled

Photograph
ca. 1960-1980 (photographed)
Artist/Maker
Place of origin

Miroslav Tichý was private about his work; he kept his prints to himself and never intended to exhibit them. They are unique and make aesthetic use of scratches and other superficial damage. His photographs are also often surrounded with rough, hand-decorated borders of cut, coloured card with pen and ink patterns. His images show an enchantment with women as everyday muses, depicted in mundane activities such as shopping, sunbathing, sitting on benches or simply strolling around. Tichý’s work shows beauty in an alternative to pristine, ‘museum-quality’ prints, traditionally considered to be superior.


Object details

Category
Object type
Titles
  • Untitled (assigned by artist)
  • Two Women Sitting on Bench, Legs (generic title)
Materials and techniques
Gelatin-silver print
Brief description
Photograph by Miroslav Tichý, 'Two Women Sitting on Bench, Legs', gelatin silver print, c.1960-1980.
Physical description
Black and white framed photograph featuring the legs of two women seated on a bench
Dimensions
  • Sheet length: 32.7cm
  • Sheet width: 26cm
Style
Production typeUnique
Copy number
unique
Gallery label
  • Gallery 100, 2016-17: Miroslav Tichy´ (1926–2011) Two Women Sitting on a Bench 1960–80 Miroslav Tichy´ began taking clandestine photographs of women in his hometown of Kyjov, Czech Republic in the 1960s. Using intentionally rudimentary homemade cameras, he found beauty and a sense of eroticism not in images of idealised artists’ models, but in studies of real individuals going about their everyday lives. Gelatin silver print Given by Michael Hoppen Gallery Museum no. E.328-2006
  • Gallery 100, ‘History of photography’, 2012-2013, label texts : Miroslav Tichý (1926 – 2011) Untitled About 1960–80 Tichý trained as a painter but spent many years as a psychiatric patient, living on the fringes of mainstream society. For over three decades he photographed people on the streets of Brno, Czech Republic, using homemade cameras. He was 79 when his first retrospective was held. His roughly made photographs stand in contrast to pristine, ‘museum-quality’ prints. Gelatin silver prints Purchased with the assistance of Pierre Brahm, Mark Hawtin, Michael Warshaw and Michael Hoppen Museum nos. E.289, 328-2006 (11 03 2014)
Credit line
Given by the Michael Hoppen Gallery
Subject depicted
Summary
Miroslav Tichý was private about his work; he kept his prints to himself and never intended to exhibit them. They are unique and make aesthetic use of scratches and other superficial damage. His photographs are also often surrounded with rough, hand-decorated borders of cut, coloured card with pen and ink patterns. His images show an enchantment with women as everyday muses, depicted in mundane activities such as shopping, sunbathing, sitting on benches or simply strolling around. Tichý’s work shows beauty in an alternative to pristine, ‘museum-quality’ prints, traditionally considered to be superior.
Collection
Accession number
E.328-2006

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Record createdJanuary 10, 2007
Record URL
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