Leather Panel thumbnail 1
Leather Panel thumbnail 2
Not currently on display at the V&A

Leather Panel

1700-1725 (made)
Artist/Maker
Place of origin

Leather panels were used to cover walls as an alternative to wooden panelling or textile hangings. Luxurious effects could be achieved with rich colours and highly patterned surfaces. Often the decoration of these hangings echoed the design of other furnishings in a room, and tied together an interior decorative scheme. The gold cartouches and geometric infill of this panel resemble carved decoration found on gilded French furniture of theearly 18th century.

It is uncertain exactly how this panel was made. Traditionally, wet leather was pressed onto a raised wooden mould to create an embossed surface. In 1628, however, a similar process using a heated metal plate was patented in the Netherlands. This technique, which was widely copied, made it possible to produce large numbers of identical, finely detailed panels. Even sharper detail could be achieved on a thin leather, such as sheep skin, which was probably used for this panel. Its crisp embossed surface suggests that a metal plate was used in this panel's manufacture.

Although areas of the panel appear to be gilded, the precious metal used to create this effect is actually silver. A thin silver foil was applied to the panel and then coated with a layer of yellow varnish to look like gold leaf.


Object details

Categories
Object type
Materials and techniques
Embossed and gilded leather
Brief description
Embossed gilt leather panel in low relief. Gilded and painted with flowers, drapery, a medallion, ribbon work, diaper and acanthoid ornament heightened in a red glaze and a dark green on a green-grey ground, France, ca. 1700-25
Physical description
Embossed sheepskin panel, silvered and yellow-varnished to simulate gilding. The central cartouche upon a blue-grey ground is filled with a small geometric pattern overlaid with swags of flowers highlighted in red and black. The decoration also includes a large stylised shell, scrolls, part cartouches, and a basket of flowers.
Dimensions
  • Height: 74cm
  • Width: 54cm
Dimensions taken by Eoly Koldeweij 1995-6 Original measurements: H. 2 ft. 5 1/4 in. W. 2 ft.
Style
Marks and inscriptions
'O' (Canvas-print on the back.)
Credit line
Gift of Murray Marks
Object history
No other panel of this pattern has been traced up till this moment.
Subjects depicted
Summary
Leather panels were used to cover walls as an alternative to wooden panelling or textile hangings. Luxurious effects could be achieved with rich colours and highly patterned surfaces. Often the decoration of these hangings echoed the design of other furnishings in a room, and tied together an interior decorative scheme. The gold cartouches and geometric infill of this panel resemble carved decoration found on gilded French furniture of theearly 18th century.

It is uncertain exactly how this panel was made. Traditionally, wet leather was pressed onto a raised wooden mould to create an embossed surface. In 1628, however, a similar process using a heated metal plate was patented in the Netherlands. This technique, which was widely copied, made it possible to produce large numbers of identical, finely detailed panels. Even sharper detail could be achieved on a thin leather, such as sheep skin, which was probably used for this panel. Its crisp embossed surface suggests that a metal plate was used in this panel's manufacture.

Although areas of the panel appear to be gilded, the precious metal used to create this effect is actually silver. A thin silver foil was applied to the panel and then coated with a layer of yellow varnish to look like gold leaf.
Bibliographic references
  • J.F. Riano, Catalogue of the art and objects of Spanish production in the South Kensington Museum, London 1872, page 61. 'Panel for furniture. Leather, stamped, gilt, and painted with diaper scrolls medallions on pale green ground. Spanish. 17th cent.'
  • Henri Clouzot, Geschmückte Lederarbeiten, Berlin ny (=Cuirs Décorés, Paris 1925), Volume II, plate XII
  • John W. Waterer, Spanish Leather, London 1971, plate 45
  • L.J. Coolen, 'Goudleer', Eisma's schildersweekblad, 77 no. 18 (1975) page 444
  • South Kensington Museum, John Charles Robinson, J. C Robinson, and R. Clay, Sons and Taylor. 1881. Catalogue of the Special Loan Exhibition of Spanish and Portuguese Ornamental Art: South Kensington Museum, 1881. London: Chapman & Hall, p.186
Collection
Accession number
482-1869

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Record createdJanuary 3, 2007
Record URL
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