The Tempest
Costume Design
1962 (made)
1962 (made)
Artist/Maker | |
Place of origin |
Costume design by Leslie Hurry for Robert Eddison as Trinculo in Shakespeare's The Tempest, produced by Oliver Neville for the Old Vic Theatre, London, 1962.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
This production of The Tempest opened on 29 May 1962. W.A. Darlington in The Daily Telegraph 30 May 1962 singled out Eddison's 'whimpering, plaintive Trinculo' as one of the highlights of the production.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
This production of The Tempest opened on 29 May 1962. W.A. Darlington in The Daily Telegraph 30 May 1962 singled out Eddison's 'whimpering, plaintive Trinculo' as one of the highlights of the production.
Object details
Category | |
Object type | |
Title | The Tempest (assigned by artist) |
Materials and techniques | Ink, watercolour, and pencil on paper with fabric swatches |
Brief description | Costume design by Leslie Hurry for Robert Eddison as Trinculo in Shakespeare's The Tempest, produced by Oliver Neville for the Old Vic Theatre, London, 1962 |
Physical description | Design by Leslie Hurry in ink and watercolour on paper with pencil annotation and green, red, and mushroom-coloured fabric swatches pinned in the top left corner. The design is for Robert Eddison as Trinculo in Shakespeare's The Tempest, produced by Oliver Neville for the Old Vic Theatre, London, 1962. The design shows a man in a striped Renaissance-style costume with a ruff. |
Dimensions |
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Marks and inscriptions |
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Credit line | Given by Mrs Caro Rathbone |
Literary reference | The Tempest |
Summary | Costume design by Leslie Hurry for Robert Eddison as Trinculo in Shakespeare's The Tempest, produced by Oliver Neville for the Old Vic Theatre, London, 1962. Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit. This production of The Tempest opened on 29 May 1962. W.A. Darlington in The Daily Telegraph 30 May 1962 singled out Eddison's 'whimpering, plaintive Trinculo' as one of the highlights of the production. |
Collection | |
Accession number | S.2065-2014 |
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Record created | November 21, 2014 |
Record URL |
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