Falstaff
Theatre Design
1961 (made)
1961 (made)
Artist/Maker | |
Place of origin |
Basic setting, designed by Franco Zeffirelli for Verdi's opera, Falstaff, Royal Opera House, Covent Garden, 1961.
Director Franco Zeffirelli designed the settings, costumes and lighting for his own production of Falstaff, which opened at Covent Garden on 10 May 1961. One basic set, which reminded reviewers of 'some galleried, half-timbered inn courtyard - as it might be the George at Southwark' (The Times, 11 May 1961), could be converted into the opera's five locations. Painted panels were added to the main structure to suggest the half-timbering, appropriate for both the exterior of Ford's house and the interior of the Garter Inn. Tapestries and a full length window were introduced for the interior of Ford's house. At its most basic, with the addition of an inn sign, it became the exterior of the Garter. The open tread stairs remained a constant throughout, partially hidden by bushes for exteriors. For the final scene in Windsor Forest Herne's Oak stood centre stage, but reviewers were disappointed when the oak was flown out on the entry of the fairies so that the opera could end in the inn courtyard.
Though first night reviews were not overwhelmingly positive, critics enjoyed the Falstaff of Geraint Evans and the production proved popular with audiences and was revived throughout the 1960s and 1970s. The final performances were in 1978.
Director Franco Zeffirelli designed the settings, costumes and lighting for his own production of Falstaff, which opened at Covent Garden on 10 May 1961. One basic set, which reminded reviewers of 'some galleried, half-timbered inn courtyard - as it might be the George at Southwark' (The Times, 11 May 1961), could be converted into the opera's five locations. Painted panels were added to the main structure to suggest the half-timbering, appropriate for both the exterior of Ford's house and the interior of the Garter Inn. Tapestries and a full length window were introduced for the interior of Ford's house. At its most basic, with the addition of an inn sign, it became the exterior of the Garter. The open tread stairs remained a constant throughout, partially hidden by bushes for exteriors. For the final scene in Windsor Forest Herne's Oak stood centre stage, but reviewers were disappointed when the oak was flown out on the entry of the fairies so that the opera could end in the inn courtyard.
Though first night reviews were not overwhelmingly positive, critics enjoyed the Falstaff of Geraint Evans and the production proved popular with audiences and was revived throughout the 1960s and 1970s. The final performances were in 1978.
Object details
Categories | |
Object type | |
Title | Falstaff (generic title) |
Materials and techniques | Watercolour, ink and pencil on paper |
Brief description | Basic setting, designed by Franco Zeffirelli for Verdi's opera, Falstaff, Royal Opera House, Covent Garden, 1961 |
Physical description | Basic setting for <i>Falstaff</i>, showing a roofed timbered structure forming three sides of a square with a gallery running round all sides at first floor level and wooden staircases to left and right. Rough pencil sketches of structural details to right, above and below design. |
Dimensions |
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Marks and inscriptions | 'FALSTAFF' (Inscribed in pencil beneath image, centre right) |
Credit line | Acquired with the support of the Friends of the V&A |
Literary reference | The Merry Wives of Windsor |
Summary | Basic setting, designed by Franco Zeffirelli for Verdi's opera, Falstaff, Royal Opera House, Covent Garden, 1961. Director Franco Zeffirelli designed the settings, costumes and lighting for his own production of Falstaff, which opened at Covent Garden on 10 May 1961. One basic set, which reminded reviewers of 'some galleried, half-timbered inn courtyard - as it might be the George at Southwark' (The Times, 11 May 1961), could be converted into the opera's five locations. Painted panels were added to the main structure to suggest the half-timbering, appropriate for both the exterior of Ford's house and the interior of the Garter Inn. Tapestries and a full length window were introduced for the interior of Ford's house. At its most basic, with the addition of an inn sign, it became the exterior of the Garter. The open tread stairs remained a constant throughout, partially hidden by bushes for exteriors. For the final scene in Windsor Forest Herne's Oak stood centre stage, but reviewers were disappointed when the oak was flown out on the entry of the fairies so that the opera could end in the inn courtyard. Though first night reviews were not overwhelmingly positive, critics enjoyed the Falstaff of Geraint Evans and the production proved popular with audiences and was revived throughout the 1960s and 1970s. The final performances were in 1978. |
Collection | |
Accession number | S.1721-2014 |
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Record created | November 19, 2014 |
Record URL |
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