Not currently on display at the V&A

The School for Scandal

Set Design
1962 (made)
Artist/Maker
Place of origin

Set design created by Cecil Beaton (1904-1980) for the revival of The School for Scandal, at the Comédie-Française, Paris in 1962.

Sir Cecil Walter Hardy Beaton, CBE (14 January 1904 – 18 January 1980) was an English fashion, portrait and war photographer, diarist, painter, interior designer and an Academy Award-winning stage and costume designer for films and the theatre.

The Old Vic Company production of The School for Scandal, by Richard Sheridan originally opened at the New Theatre, London in 1949. The production starred Laurence Olivier as Sir Peter Teazle and Vivien Leigh as Lady Teazle and Beaton was commissioned to design both the sets and the costumes and Miss Leigh’s dresses were made by Thérèse. It was revived at for a production at the Comédie-Française, Paris in 1962.

The set and costumes were well received. Harold Conway praised the ‘sumptuous costumes and brilliant back cloth settings by Cecil Beaton, which proved stimulating and provocative by turns.’ Similarly the reviewer in the Daily Telegraph declared, ‘I have not often seen a production in which my eye was more consistently pleased.’ T.C.Wolsey, writing the ‘Arts and Entertainment’ column in 1949, was less enthusiastic about the production. Whilst he felt that ‘Mr. Cecil Beaton’s drop curtains and backcloths [were] wholly successful. His dresses were less so’ and suggested that the costumes ‘sometimes add to that faint whiff of Quality Street which crops up here and there throughout the evening.’


Object details

Categories
Object type
TitleThe School for Scandal (named collection)
Materials and techniques
Pen and ink drawing on white card
Brief description
Set design created by Cecil Beaton (1904-1980) for the revival of The School for Scandal, at the Comédie-Française, Paris in 1962
Physical description
Set design created by Cecil Beaton (1904-1980) for the revival of <i>The School for Scandal</i>, at the Comédie-Française, Paris in 1962. The design is drawn in ink on white card. It show the exterior of a brick Georgian style building with a series of windows framed by curved arches. A metalwork fence runs in front of the building, which is positioned next to a curved archway. This archway is framed by columns on either side and a street, with further buildings and lanterns, is visible in the distance.
Dimensions
  • Height: 50.6cm
  • Width: 63.7cm
Marks and inscriptions
'For Comedie Francaise - reject' (Handwritten annotation in pencil written on masking tape which runs across the top of the design.)
Credit line
Given by the executors of Eileen Hose
Literary referenceThe School for Scandal
Summary
Set design created by Cecil Beaton (1904-1980) for the revival of The School for Scandal, at the Comédie-Française, Paris in 1962.

Sir Cecil Walter Hardy Beaton, CBE (14 January 1904 – 18 January 1980) was an English fashion, portrait and war photographer, diarist, painter, interior designer and an Academy Award-winning stage and costume designer for films and the theatre.

The Old Vic Company production of The School for Scandal, by Richard Sheridan originally opened at the New Theatre, London in 1949. The production starred Laurence Olivier as Sir Peter Teazle and Vivien Leigh as Lady Teazle and Beaton was commissioned to design both the sets and the costumes and Miss Leigh’s dresses were made by Thérèse. It was revived at for a production at the Comédie-Française, Paris in 1962.

The set and costumes were well received. Harold Conway praised the ‘sumptuous costumes and brilliant back cloth settings by Cecil Beaton, which proved stimulating and provocative by turns.’ Similarly the reviewer in the Daily Telegraph declared, ‘I have not often seen a production in which my eye was more consistently pleased.’ T.C.Wolsey, writing the ‘Arts and Entertainment’ column in 1949, was less enthusiastic about the production. Whilst he felt that ‘Mr. Cecil Beaton’s drop curtains and backcloths [were] wholly successful. His dresses were less so’ and suggested that the costumes ‘sometimes add to that faint whiff of Quality Street which crops up here and there throughout the evening.’
Collection
Accession number
S.2110-2014

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Record createdOctober 10, 2014
Record URL
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